The way you live your day is a sentence in the story of your life. Each day you make the choice whether the sentence ends with a period, question mark, or exclamation point.
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When unconscious storytelling becomes out default, we often keep tripping over the same issue, staying down when we fall, and having different versions of the same problem in our relationships--we've got the story on repeat. Burton explains that our brains like predictable storytelling. He writes, "In effect, well-oiled patterns of observation encourage our brains to compose a story that we expect to hear.
Forgiveness can be bittersweet. It contains the sweetness of the release of a story that has caused us pain, but also the poignant reminder that even our dearest relationships change over the course of a lifetime.
The ending of your story all depends on the beginning of ours.
But love...it's only an illusion. A story one makes up in one's mind about another person. And one knows all the time it isn't true. Of course one knows why one's always taking care not to destroy the illusion.
Some people read palms to tell your future, but I read hands to tell your past. Each scar makes a story worth telling. Each callused palm, each cracked knuckle is a missed punch or years in a factory.
The sacred-souls of authors are displayed in the beauty of their books.
We write to share our thoughts and our lives.
Read a short story every day. By the end of the week you would have read volumes of stories.
Life is a story, until I awake and saw life as a dream.
How the story will end, no one knows? We can only envisage.
Watch movies. Read screenplays. Let them be your guide. [_] Yes, McKee has been able to break down how the popular screenplay has worked. He has identified key qualities that many commercially successful screenplays share, he has codified a language that has been adopted by creative executives in both film and television. So there might be something of tangible value to be gained by interacting with his material, either in book form or at one of the seminars.But for someone who wants to be an artist, a creator, an architect of an original vision, the best book to read on screenwriting is no book on screenwriting. The best seminar is no seminar at all.To me, the writer wants to get as many outside voices OUT of his/her head as possible. Experts win by getting us to be dependent on their view of the world. They win when they get to frame the discussion, when they get to tell you there__ a right way and a wrong way to think about the game, whatever the game is. Because that makes you dependent on them. If they have the secret rules, then you need them if you want toget ahead.The truth is, you do
The ultimate story of success: When a nobody, who has never once in his entire life known the feeling of being remembered or respected, suddenly snaps and becomes a world dictator. On one hand it sounds just, but on the other, it illustrates the reason why a prosperity message has and needs its limitations.
If you own this story you get to write the ending.
If there were a master of stupidity in this world, I would really love to listen to his success story.
Free yourself from the inauthenticity and disempowerment of your story.
A writer may not know the way at first; but if he endeavors to complete his task, he carves a path with his story, a knowledge shortcut.
One word absent from a sentence, or misinterpreted incorrectly, can change the entire meaning of a sentence. One word can change the meaning of everything. Before you believe anything about God or anybody, ask yourself how well do you trust the transmitter, translator or interpreter. And if you have never met them, then how do you know if the knowledge you acquired is even right? One hundred and twenty-five years following every major event in history, all remaining witnesses will have died. How well do you trust the man who has stored his version of a story? And how can you put that much faith into someone you don't know?