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My novels are set in a global space and pace. However, I have never visited most of the places. I wrote my first book in London but the story took the reader to places in Mexico, Denmark and Russia, and carefully avoided London. I access these global locations with my feet planted in front of my computer. I will use my internet connection to carefully enter the streets of a foreign city and find out how long it will take my main character to get from the airport to the city center _ and if there are any shortcuts on the way. I wanted to do something new. The world is becoming a global village and we have to understand these different cultures. There is a Danish culture, an Israeli culture and so on. So if you want to go to Denmark, then read the book.

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The situation on Earth today is too dire for us to act from habit__o reenact again and again the same kinds of solutions that brought us to our present extremity. Where does the wisdom to act in entirely new ways come from? It comes from nowhere, from the void; it comes from inaction. When we see it, we realize it was right in front of us all along. It is never far away; yet at the same time it is in a different universe__ different Story of the World.

CE
Charles Eisenstein

The More Beautiful World Our Hearts Know Is Possible

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There is but one world and everything that is imaginable is necessary to it. For this world also which seems to us a thing of stone and flower and blood is not a thing at all but is a tale. And all in it is a tale and each tale the sum of all lesser tales and yet these are also the selfsame tale and contain as well all else within them. So everything is necessary. Every least thing. This is the hard lesson. Nothing can be dispensed with. Nothing despised. Because the seams are hid from us, you see. The joinery. The way in which the world is made. We have no way to know what could be taken away. What omitted. We have no way to tell what might stand and what might fall. And those seams that are hid from us are of course in the tale itself and the tale has no abode or place of beind except in the telling only and there it lives and makes its home and therefore we can never be done with the telling. Of the telling there is no end. And . . . in whatever . . . place by whatever . . . name or by no name at all . . . all tales are one. Rightly heard all tales are one.

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Isn't there a flaw in the logic of that phrase - speak truth to power? It assumes that power doesn't know the truth. But power knows the truth just as well, if not better, than the powerless know the truth. Enron knows what it's doing. We don't have to tell it what it's doing. We have to tell other people what Enron is doing. Similarly, the people who are building the dams know what they're doing. The contractors know how much they're stealing. The bureaucrats know how much they're getting in bribes.Power knows the truth. There isn't any doubt about that. It is really about telling the story. Good fiction is the truest thing that ever there was. Facts are not necessarily the only truths. Facts can be fiddled with by economists and bankers. There are other kinds of truth. It's about telling the story. As a writer, that's the best thing I can do. It's not just about digging up facts.

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Arundhati Roy

The Checkbook and the Cruise Missile: Conversations with Arundhati Roy