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"

We may now briefly enumerate the elements of style._ We have, peculiar to the prose writer, the task of keeping his phrases large, rhythmical, and pleasing to the ear, without ever allowing them to fall into the strictly metrical: peculiar to the versifier, the task of combining and contrasting his double, treble, and quadruple pattern, feet and groups, logic and metre__armonious in diversity: common to both, the task of artfully combining the prime elements of language into phrases that shall be musical in the mouth; the task of weaving their argument into a texture of committed phrases and of rounded periods__ut this particularly binding in the case of prose: and, again common to both, the task of choosing apt, explicit, and communicative words._ We begin to see now what an intricate affair is any perfect passage; how many faculties, whether of taste or pure reason, must be held upon the stretch to make it; and why, when it is made, it should afford us so complete a pleasure._ From the arrangement of according letters, which is altogether arabesque and sensual, up to the architecture of the elegant and pregnant sentence, which is a vigorous act of the pure intellect, there is scarce a faculty in man but has been exercised._ We need not wonder, then, if perfect sentences are rare, and perfect pages rarer.-ON SOME TECHNICAL ELEMENTS OF STYLE IN LITERATURE

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Robert Louis Stevenson

Essays in the Art of Writing

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Lend your ear then to this tutti of steeples; diffuse over the whole the buzz of half a million of human beings, the eternal murmur of the river, the infinite piping of the wind, the grave and distant quartet of the four forests placed like immense organs on the four hills of the horizon; soften down, as with a demi-tint, all that is too shrill and too harsh in the central mass of sound, and say if you know any thing in the world more rich, more gladdening, more dazzling than that tumult of bells; than that furnace of music; than those ten thousand brazen tones breathed all at once from flutes of stone three hundred feet high; than that city which is but one orchestra; than that symphony rushing and roaring like a tempest.

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Victor Hugo

The Hunchback of Notre-Dame

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THAT crazed girl improvising her music.Her poetry, dancing upon the shore,Her soul in division from itselfClimbing, falling She knew not where,Hiding amid the cargo of a steamship,Her knee-cap broken, that girl I declareA beautiful lofty thing, or a thingHeroically lost, heroically found.No matter what disaster occurredShe stood in desperate music wound,Wound, wound, and she made in her triumphWhere the bales and the baskets layNo common intelligible soundBut sang, 'O sea-starved, hungry sea

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W.B. Yeats

The Collected Poems of W.B. Yeats

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MUSIC OF THE UNIVERSEWithout the orchestra of the universe,There would be no ether. And without its instrumentationBy the ether, There would be no waves. And without any waves, There would be no sound. And without sound, There would be no music. And without music, There would be no life. And without a life force, There would be no matter. But it does not matter - Because what is matter, If there is no light?

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Suzy Kassem

Rise Up and Salute the Sun: The Writings of Suzy Kassem

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He is deaf, and keen to accept,any economical operation,that will correct his situation.He visited the doctor best,and started talking on subject,like the after-effects, and if any threats.The doctor medically checked,and asked him what he expects?He expressed, he wants to be addressed-in words, and not in signs.And how keen he is, to have his ears listening.He wants to listen the echo of,sun-set over that crimson dawn.He is keen to know, the sound of,a blooming rose.He wants to know what it sounds like,when a seedling grows.But Doctor- if you say: You are incapable,then I better get away,for then there is- nothing worth to be heard,in your seemingly wordy world.