science-fiction

I would rather never make a penny on book sales and know that many had derived some fair pleasure from my writing, than to know that very few had ever taken a chance on my work. I certainly won't last forever, but I'd love to think that my imagination will continue to surface in the minds of others.

speak hard, steal the air.

Hence the uneasiness which they arouse in those who, for whatever reason, wish to keep us wholly imprisoned in the immediate conflict. That perhaps is why people are so ready with the charge of "escape." I never fully understood it till my friend Professor Tolkien asked me the very simple question, "What class of men would you expect to be most preoccupied with, and hostile to, the idea of escape?" and gave the obvious answer: jailers.

This is for everyone who has ever looked at the stars, or gazed from atop a hill, or across the sea and wondered...

Beware of self-indulgence. The romance surrounding the writing profession carries several myths: that one must suffer in order to be creative; that one must be cantankerous and objectionable in order to be bright; that ego is paramount over skill; that one can rise to a level from which one can tell the reader to go to hell. These myths, if believed, can ruin you. If you believe you can make a living as a writer, you already have enough ego.

I love him, and I love us together more than I love myself. I will do what you ask, but if," Kara swallowed hard, "...if I lose him, I'll join him in death." Vena resisted the urge to stroke the fine mass of dark curls away from the heart-shaped face that gazed at her so fiercely. The woman who faced her, proudly announcing her ability to choose, was no longer the winsome, pliable girl of the garden.

Write me a creature that thinks as well as a man or better than a man, but not like a man.

I had evolved a year too soon, and it nearly broke me

Once bitten twice shy? Sure, but... why not get a bigger dog and bite them back?

And that's what I don't like about magic, Captain. 'cos it's *magic*. You can't ask questions, it's magic. It doesn't explain anything, it's magic. You don't know where it comes from, it's magic! That's what I don't like about magic, it does everything by magic!

Science fiction deals with improbable possibilities, fantasy with plausible impossibilities.

Reality is shaped by the forces that destroy it.

Books are keys that open many doors.

Now I am their sword. And I do not forgive. I do not forget. So let him lead me onto his shuttle. Let him think he owns me. Let him welcome into his house, so I might burn it down. But then his daughter takes my hand, and I feel all the lies fall heavy on my shoulders. They say a kingdom divided against itself cannot stand. They made no mention of the heart.

A.I. might be straight out of science fiction, but it's going to turn into man's worst nightmare.

In a roundabout way, Boba Fett created Pearl Jam.

Bowman was aware of some changes in his behavior patterns; it would have been absurd to expect anything else in the circumstances. He could no longer tolerate silence; except when he was sleeping, or talking over the circuit to Earth, he kept the ship's sound system running at almost painful loudness. / At first, needing the companionship of the human voice, he had listened to classical plays--especially the works of Shaw, Ibsen, and Shakespeare--or poetry readings from Discovery's enormous library of recorded sounds. The problems they dealt with, however, seemed so remote, or so easily resolved with a little common sense, that after a while he lost patience with them. / So he switched to opera--usually in Italian or German, so that he was not distracted even by the minimal intellectual content that most operas contained. This phase lasted for two weeks before he realized that the sound of all these superbly trained voices was only exacerbating his loneliness. But what finally ended this cycle was Verdi's Requiem Mass, which he had never heard performed on Earth. The "Dies Irae," roaring with ominous appropriateness through the empty ship, left him completely shattered; and when the trumpets of Doomsday echoed from the heavens, he could endure no more. / Thereafter, he played only instrumental music. He started with the romantic composers, but shed them one by one as their emotional outpourings became too oppressive. Sibelius, Tchaikovsky, Berlioz, lasted a few weeks, Beethoven rather longer. He finally found peace, as so many others had done, in the abstract architecture of Bach, occasionally ornamented with Mozart. / And so Discovery drove on toward Saturn, as often as not pulsating with the cool music of the harpsichord, the frozen thoughts of a brain that had been dust for twice a hundred years.

Music took her somewhere, and I used to wonder where. I thought it was dumb, the way she lived for a collection of sounds, for someone else's words and notes.