prose

I can't allow what we learned in English composition to disrupt the sound and rhythm of the narrative.

It's been the longest timeSince I've been in this place,Where I spend my whole dayHoping I'll see your face.Then I script things to say,And maybe what you'd say back.You don't know it yet,But, girl, it's a factThat I can see us Staying up late,Talking all night,But I guess I'll have to wait.'Cause it's brand-new,Yeah, I know we just met. I want to be there with you, But not just yet.Girl, you've got that look,Like you're hard to impress.So I'm bumbling with words,'Cause my mind is a mess.You were out of the blueAnd you caught me by surprise,With a slight smile, that long stare,And a challenge in your eyesI could feel all thisIn that single look,Like you could see my soul.You could read me like a book,And I think it's something.Though I know we just met,I'm gonna get there with you.You just don't know it ... yet.

Nowhere hidden has ever turned away a goodheart guest.

The great error consists in supposing that poetry is an unnatural form of language. We should all like to speak poetry at the moment when we truly live, and if we do not speak it, it is because we have an impediment in our speech. It is not song that is the narrow or artificial thing, it is conversation that is a broken and stammering attempt at song. When we see men in a spiritual extravaganza, like Cyrano de Bergerac, speaking in rhyme, it is not our language disguised or distorted, but our language rounded and made whole.

I suppose that's how it looks in prose. But it's very different if you look at it through poetry_and I think it's nicer_' Anne recovered herself and her eyes shone and her cheeks flushed_ 'to look at it through poetry.

...prose unfolds in time; and time contains both obstacles and revelations. Prose develops, the way characters and situations do. It requires a flow. A poem is an instant, lightning across the sky. Prose is before the storm, the storm, after the storm.

You alone in Europe are not ancient oh ChristianityThe most modern European is you Pope Pius XAnd you whom the windows observe shame keeps youFrom entering a church and confessing this morningYou read the prospectuses the catalogues the billboards that sing aloudThat's the poetry this morning and for the prose there are the newspapersThere are the 25 centime serials full of murder mysteriesPortraits of great men and a thousand different headlines("Zone")

They were completely vague. They expressed everything and nothing. 'It is the _olian harp of style,' thought Julien. 'Amid the most lofty thoughts about annihilation, death, the infinite, etc., I can see no reality save a shocking fear of ridicule.

The library was my only blessing. Every time I climbed the stairs, my heart lifted. All day, I looked forward to the happy hours I spent in that beautiful room. My guilt over appa's fate was too heavy to carry up there, and I learned to leave it below, somewhere on the ground floor. I left the house far behind as I walked on the path paved by the books, and every evening, baby Mangalam slept soundly on the bed I made for her on the window seat.

Lovers meander in prose and rhyme,trying to say-for the thousandth time-what's easier done than said.

I will find comfort in the rhythm of the sea.

Outside our small safe place flies mystery.

The novel is a formidable mass, and it is so amorphous - no mountain in it to climb, no Parnassus or Helicon, not even a Pisgah. It is most distinctly one of the moister areas of literature - irrigated by a hundred rills and occasionally degenerating into a swamp. I do not wonder that the poets despise it, though they sometimes find themselves in it by accident. And I am not surprised at the annoyance of the historians when by accident it finds itself among them.

_wisely mingled poetry and prose.

You campaign in poetry. You govern in prose.

If I stay close to the sea, I will go on well.

I am not collarbones or drunken letters never sent. I am not the way I leave or left or didn__ know how to handle anything,at any time,and I am not your fault.

Prose divides shame into stations.