popular-culture

Give the People what they want - and they'll get what they deserve.

Pure wisdom is the 'fruit of life' banal platitudes are the 'bane of existence'.

Tie me up, please..." Chantal said. They looked above at some vines and roots hanging down from the grassy area above the depression in the canal they were standing in. She was in his hands__e had to comply.A little bit of kink was one of the most delicious of erotic pleasures. Catholic school girls were often the horniest__rett could hardly contain his elation.

_Christianity will go. It will vanish and shrink. I don't know what will go first, rock 'n' roll or Christianity. We're more popular than Jesus now. Jesus was all right, but his disciples were thick and ordinary. It's them twisting it that ruins it for me.

You are all talking a bit too much, said Armando, who had cautioned them from the beginning to stay out of popular culture and in their own interior worlds.When you are caught up in the world that you did not design as support for your life and the life of earth and people, it is like being caught in someone else's dream or nightmare. Many people exist in their lives in this way. I say exist because it is not really living. It is akin to being suspended in a dream one is having at night, a dream over which one has no control. You are going here and there, seeing this and that person; you do not know or care about them usually, they are just there, on your interior screen. Humankind will not survive if we continue in this way, most of us living lives in which our own life is not the center.

Popular feeling is very often sentimental, muddle-headed, and eminently unsound, but it cannot be disregarded for all that.

I've always wanted to be a journalist, but what am I going to do? Write articles about which movie star had the fat sucked from her ass and injected into her face? Which professional athlete just confessed to shooting steroids? The last celebrity baby names?" Cara lowered both brows in frustration. "Who cares?

Some readers were aware that the novels they loved amounted to a propaganda campaign, that the love stories had a particular agenda that might or might not have anything at all to do with reality. But then as now, being a canny and independent-minded consumer of popular media did not bar one from also enjoying being manipulated by it.

When there is no news, we will give it to you with the same emphasis as if there were.

You're right that not everything we do has to have some kind of social agenda, but that doesn't mean it can only be anesthetizing crap.

If we were to do the Second Coming of Christ in color for a full hour, there would be a considerable number of stations which would decline to carry it on the grounds that a Western or a quiz show would be more profitable.

There is a huge trapdoor waiting to open under anyone who is critical of so-called 'popular culture' or (to redefine this subject) anyone who is uneasy about the systematic, massified cretinization of the major media. If you denounce the excess coverage, you are yourself adding to the excess. If you show even a slight knowledge of the topic, you betray an interest in something that you wish to denounce as unimportant or irrelevant. Some writers try to have this both ways, by making their columns both 'relevant' and 'contemporary' while still manifesting their self-evident superiority. Thus__ paraphrase only slightly_'Even as we all obsess about Paris Hilton, the people of Darfur continue to die.' A pundit like (say) Bob Herbert would be utterly lost if he could not pull off such an apparently pleasing and brilliant 'irony.

Alice is fictional. This isn't.

In the imposition of a unitary and homogeneous popular culture, disseminated now throughout the world by the spread of Western technology and communications, is to be found one of the central features of modernity's distinctive way of achieving the priority of the one over the many. Homogeneity derives from the creation of an undifferentiated social or other reality...It is not therefore the priority of the many that distinguishes modernity from other cultures, but the shape the priority of the one takes in practice. Thus both the ancient and modern eras, in so far as they can be distinguished in the way often attempted, share in a tendency to elevate the one over the many: to enslave the many to the heteronomous rule of the one. The pathos of the modern condition is that, after rejecting what it rightly sees to be the oppressive forms of unity deriving from the past, it has itself succumbed to various false universals that replicate or even exacerbate the bondage from which it had hoped to free itself.

They were unironic enthusiasts for all the mass pleasures the culture offered: television, NASCAR, cruises, Disney World, sports, celebrity gossip, and local politics. Szabo often wished that he could be as well adjusted as Melinda's family, but he would have had to be medicated to pursue her list of pleasures.

Misunderstanding is generally simpler than true understanding, and hence has more potential for popularity.