movies

How long does it take to see something, to know someone? If you put in years, you realize how little you grasped at the start, even when you thought you knew. We move through life mostly not seeing what is around us, not knowing who is around us, not understanding the forces at play, not understanding ourselves. Unless we stay with it, and maybe this is a movie about staying with it.

I think this is why Ellis took so many moving pictures of us. Because he knew that people come in and out of your life, and a picture fixes them in the moment they reach out to you.

There are so many movies like this, where you thought you were smarter than the screen but the director was smarter than you, of course he's the one, of course it was a dream, of course she's dead, of course, it's hidden right there, of course it's the truth and you in your seat have failed to notice in the dark.

A while back, when Dick & Barry & I agreed that what really matters is what you like, not what you *are* like, Barry proposed the idea of a questionnaire for potential partners, a 2 or 3 page multiple-choice document that covered all the music/film/TV/book bases. It was intended: a) to dispense with awkward conversation, and b) to prevent a chap from leaping into bed with someone who might, at a later date, turn out to have every Julio Iglesias record ever made. It amused us at the time... But there was an important & essential truth contained in the idea, and the truth was that these things matter, and it's no good pretending that any relationship has a future if your record collections disagree violently, or if your favorite films wouldn't even speak to each other if they met at a party.

That's what I do. Watch movies and read. Sometimes I even pretend to write, but I'm not fooling anyone. Oh, and I go to the mailbox.

Watch movies. Read screenplays. Let them be your guide. [_] Yes, McKee has been able to break down how the popular screenplay has worked. He has identified key qualities that many commercially successful screenplays share, he has codified a language that has been adopted by creative executives in both film and television. So there might be something of tangible value to be gained by interacting with his material, either in book form or at one of the seminars.But for someone who wants to be an artist, a creator, an architect of an original vision, the best book to read on screenwriting is no book on screenwriting. The best seminar is no seminar at all.To me, the writer wants to get as many outside voices OUT of his/her head as possible. Experts win by getting us to be dependent on their view of the world. They win when they get to frame the discussion, when they get to tell you there__ a right way and a wrong way to think about the game, whatever the game is. Because that makes you dependent on them. If they have the secret rules, then you need them if you want toget ahead.The truth is, you do

There are two types of people: those that are going somewhere and those that ain't.

Travelling shouldn't be just a tour, it should be a tale.

Trekking means a travelling experience with a thrilling excitement.

Travelling the road will tell you more about the road than the google will tell you about the road.

Travel teaches as much as a teacher.

Be a true traveller, don't be a temporary tourist.

A man might share his wealth, but never his authority.

My father was a writer/director/producer, so instead of throwing a ball around, our bonding was going to see movies. And at an early age, I knew if I wanted to impress my dad, it was not going to be by throwing a ball real far.

With 'GoldenEye,' the franchise got locked into this legal fight. They couldn't make new Bond movies for about seven years. It was my first huge production. I figured if I did at least a yeoman-like job, it would be greeted as a complete revival of the series.

I've done a lot of dramedies in my career. You know, I started as a standup comic, and then the movies that I was doing, like 'Up Side of Anger' were kind of like - they're hard. They're hard to sell; they're hard to get made, you know.

You see all the movies where people say, 'Don't fight out of anger'? They say that for a reason.

Minimalism seems closest to the sophisticated storytelling of movies. Movies have really educated contemporary audiences to be the most intelligent, sophisticated audiences in history. We don't any longer need to have the relationship between one scene and the next explained. We will figure it out ourselves.