metaphor

The age-old, seemingly inexorable process whereby diseases acquire meanings (by coming to stand for the deepest fears) and inflict stigma is always worth challenging, and it does seem to have more limited credibility in the modern world, among people willing to be modern - the process is under surveillance now. With this illness, one that elicits so much guilt and shame, the effort to detach it from these meanings, these metaphors, seems particularly liberating, even consoling. But the metaphors cannot be distanced just by abstaining from them. They have to be exposed, criticized, belabored, used up.

Smoke and mirrors_ is a useful metaphor for the ways in which organised abuse has chided conceptualisation and understanding. The chapter provides an overview of cite often incendiary debates over organised abuse before going on to suggest that critical theories on gender, crime and intersubjectivity may offer new insights into the phenomenon.

Speech is the pen and the sword of humankind and it is the foundation of their kingdom. Wherever the flag of speech waves, the most powerful armies are. defeated and scattered. In the arenas in which speech shouts out, the sounds of cannon balls become like the buzzing of bees. from behind the battlements on which the banner of speech has been raised, the sound of its drums are heard. In the precincts where its march reverberates, kings shake in their boots. The Master of Speech smashed to pieces many insurmountable walls, in the face of which Alexander the Great, Napoleon, and many others despaired or retread; and the pen of Speech, imparting and compliance, was saluted and praised.

The point is that if you think you can pinpoint the cause, then you can fool yourself into thinking you can avert the cause. It's deeply egotistical. It's life played as a grand insurance policy. Our myth-making around cancer stems from the same impulse. Because we don't know exactly why most of it happens, we weave a makeshift wisdom around it, a false prophet, which seeps into the common story and feeds our hunger to understand why. The guilt is a byproduct, a way to assign blame and seek absolution. It's a lesser evil than the forces of randomness. And it gives us the illusion of control.

The devil steps up to the podium, clears his throat and taps out time with his baton: in come the monstrous iron kettle drums of artillery, joined by a woodwind section of whistling bullets and shrieking shells, the ever-crackling light percussion of rifle fire.

...I found my eyes repelled by hers as if they were the like poles of a pair of magnets.

...a tall, gaunt man with small narrow eyes set deep in his skull like two old sisters trying to spy out of the windows of their house without being noticed themselves.

The curious double strands in Farfrae's thread of life - the commercial and the romantic - were very distinct at times. Like the colours in a variegated cord those contrasts could be seen intertwisted, yet not mingling.

There _s a metaphor which I love: living like a drawing compass. As you know, one leg of the compass is static, rooted in a place. Meanwhile, the other leg draws a wide circle, constantly moving. Like that, my fiction as well. One part of it is rooted in Istanbul with strong Turkish roots. But the other part travels the world, connecting to different cultures.

You told me that Kafka was not a thinker, and that a "genetic" approach to his work would disclose that much of it was only a kind of very imaginative whining. That was during the period when you were going in for wrecking operations, feeling, I suppose, that the integrity of your own mental processes was best maintained by a series of strong, unforgiving attacks. You made quite an impression on everyone, in those days: you ruffled blouse, you long magenta skirt slit to the knee, the dagger thrust into your boot. "Is that a metaphor?" I asked, pointing to the dagger; you shook your head, smiled, said no.

It's like raking leaves in the wind.

Dark-bright fire lit eyes

Anne tried to bite her tongue, but she was finding her mouth bloody too often.

Mind you,_ said Ponder, __he universe does have a rhythm. Day and night, light and dark, life and death__ __hicken soup and croutons,_ said Ridcully. "Well, not evert metaphor bears close examination".

Acoustics reverberate inside of Lucy Anna, bouncing off her walls and slamming against her bars. Harmonic prison.

_The wonders of life and the universe are mere reflections of microscopic particles engaged in a pointless dance fully choreographed by the laws of physics.

The sun was shut up in a cold bottle.

But how can you be there for someone who doesn't need you? It's like trying to scale a wall without anyone on the top throwing you a rope. You just keep sliding down and eventually your muscles give out, and your energy and your will and your heart.