In order to justify their claim on our attention, the organs of mass culture and information are compelled to offer something "new" on a daily, indeed hourly, basis. Although good novelists don't deliberately seek out trends, many of them feel a responsibility to pay attention to contemporary issues, and they now confront a culture in which almost all of the issues are burned out almost all the time. The writer who wants to tell a story about society that's true not just in 1996 but in 1997 as well can find herself at a loss for solid cultural referents. What's topically relevant while she's planning the novel will almost certainly be passé by the time it's written, rewritten, published, distributed, and read.
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You want to go to a place where you never lose anything and you keep gaining many things? Go to the Land Of Literature where you gain new paths, new ideas, new lives, new goals, and new souls!
... she had painted her lips and was holding in her hollowed hands a beautiful, banal, Eden-red apple.
A novel must be judged on its merits, not on how hard the journey was to write it.
Don't bother looking for the meaning of it all. There isn't one.Maybe not, but life compulsively dangled the possibility. Life, the dramatist on speed. Life, that couldn't stop with its foreshadows and ironies and symbols and clues, its wretched jokes and false endings and twists. Life with its hopeless addiction to plot.
What is so special about a title? The mode and significance of titles have changed with the change in the lyrical traditions. So these transitions in style and the art of signification are all collective. What has never changed is the author's intentionality in entitling his works. The art of giving a title to a piece of work is entirely conscious. The author chooses, exercises his will in giving a title to his work.
If you can put your five fingers throught it, it is a gate, if not a door.
Words are the only things that last for ever.
It was his wedding day, and then it was any day; it was nothing, and then it was forever.
The topic was eloquence, something Christians had been conflicted about since the first-century church when Paul wrote that in bringing the gospel, he did not come with __loquence._ A few centuries later, Saint Augustine wrestled with the value of eloquence, associating it with his pagan background and training in Greek rhetoric while simultaneously employing it winsomely in his Christian writings. Such suspicion of beauty and form, whether in art, literature, speech, or human flesh, has shadowed Christian thought throughout the history of the church; sadly so, considering God is the author of all beauty.
Later that night though, as I stayed awake into the early hours of morning devouring the second novel in a series, I understood what it meant to befriend a book. The books knew me, far better than I knew them; they knew my fears, my doubts, my dreams. They gave words to feelings I did not even realize I experienced. They listened. They consoled. They kept me company. The books gave me a life outside of my own.
There comes a hush between darkness and day.Like expectation of a caress.A murmur of silence. Tree crests peeked down at Paulette through slowly lifting fog. Bark felt around for its texture again. Morning gathered and drifted through mere hints; through vague hopeful nuances of __ust maybe_.- From "The Gardens of Ailana" handbook for healers & mystics
Homicide is not a sin. It is sometimes a necessary violence on resistant and ossified forms of existence which have ceased to be amusing. In the interests of an important and fascinating experiment, it can even become meritorious. Here is the starting point of a new apologia for sadism.
Books have that strange quality, that being of the frailest and tenderest matter, they outlast brass, iron and marble.
Little is to be expected of that day, if it can be called a day, to which we are not awakened by our Genius, but by the mechanical nudgings of some servitor, are not awakened by our own newly acquired force and aspirations from within, accompanied by the undulations of celestial music, instead of factory bells, and a fragrance filling the air--to a higher life than we fell asleep from; and thus the darkness bear its fruit, and prove itself to be good, no less than the light.
I believe one of the important differences between creating literature and just telling a story around the campfire is that in literature you__e recreating the experience of life, not just relaying a __his happened, then that happened_ kind of narrative. The specific details and layers of depth that make the world of the story _ and what the character is experiencing in that world _ as real as possible are elements I love as a reader and, consequently, elements I strive to use effectively as a writer.
A constant discomfort derives from this--writing these sentences, or any other for that matter--I am writing an ad for the war. With that, every utterance about freedom finishes.
Those who judge must take all aspects of an individual's personality into account. It is only through literature that one can put oneself in someone else's shoes and understand the other's different and contradictory sides and refrain from becoming too ruthless. Outside the sphere of literature only one aspect of individuals is revealed. But if you understand their different dimensions you cannot easily murder them_