literature

...the mode by which he "heard" the universe and projected it far beyond himself. Perhaps it was in this, I said to Albertine, this unknown quality of a unique world which no other composer had ever yet revealed, that the most authentic proof of genius lies, even more than in the content of the work itself. "Even in literature?_ Albertine inquired. __ven in literature._ And thinking again of the sameness of Vinteuil__ works, I explained to Albertine that the great men of letters have never created more than a single work, or rather have never done more than refract through various media an identical beauty which they bring into the world. __f it were not so late, my sweet,_ I said to her, __ would show you this quality in all the writers whose works you read while I__ asleep, I would show you the same identity as in Vinteuil. These key-phrases, which you are beginning to recognise as I do, my little Albertine, the same in the sonata, in the septet, in the other works, would be, say for instance in Barbey dAurevilly, a hidden reality revealed by a physical sign, the physiological blush...

Spend the glittering moonlight therePursuing down the soundless deepLimbs that gleam and shadowy hair,Or floating lazy, half-asleep.Dive and double and follow after,Snare in flowers, and kiss, and call,With lips that fade, and human laughterAnd faces individual,Well this side of Paradise! . . .There's little comfort in the wise.

They were both young men under thirty. Art is not so precocious as literature, and does not send quite so many early potatoes into the market, so that the age of thirty is considered young enough for a painter to have learnt his business sufficiently to be marketable from the picture-dealing point of view. ("The Phantom Model")

These two oo in "book" are like the two eyes of a reader who fell in love with a story.

Words are instruments, they are tools that, in their different ways, are as effective as any sharp edge or violate chemical. They are, like coins, items of great value, but they represent a currency that, well spent, returns ever greater riches.

Books are in the mind, Grandfather Alessandro said. Too many books and you forget your body is in the world.

Then said he, __ am going to my Father__; and though with great difficulty I am got hither, yet now I do not repent me of all the trouble I have been at to arrive where I am. My sword I give to him that shall succeed me in my pilgrimage, and my courage and skill to him that can get it. My marks and scars I carry with me, to be a witness for me that I have fought His battles who now will be my rewarder._.... So he passed over, and all the trumpets sounded for him on the other side.

Real poetry is art at its purest sense. It is never a commodity, but a breath of eternity.

This is what Laura loved about literature. You could see things in it that perhaps weren__ there, but might be. And even that didn__ matter if, in the end, readers needed something to be there. They could bring their somethings to a text, as co-creators, embedding a needed reality in the story that, if it was flexible enough, would allow new threads to take their place beside the author__.

In the biggest and the smallest I sleep but at the same place I stay.

Hardship is vanishing, but so is style, and the two are more closely connected than the present generation supposes.

I didn't hit her, man, what happened was that Maria was obsessed with the Marquis de Sade and wanted to try the spanking thing," said Luscious Skin. "That's very Maria," said Pancho. "She takes her reading seriously.

When I was little, my ambition was to grow up to be a book. Not a writer. People can be killed like ants. Writers are not hard to kill either. But not books: however systematically you try to destroy them, there is always a chance that a copy will survive and continue to enjoy a shelf-life in some corner on an out-of-the-way library somehwere in Reykjavik, Valladolid or Vancouver.

An artist is the magician put among men to gratify--capriciously--their urge for immortality. The temples are built and brought down around him, continuously and contiguously, from Troy to the fields of Flanders. If there is any meaning in any of it, it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities. What now of the Trojan War if it had been passed over by the artist's touch? Dust. A forgotten expedition prompted by Greek merchants looking for new markets. A minor redistribution of broken pots. But it is we who stand enriched, by a tale of heroes, of a golden apple, a wooden horse, a face that launched a thousand ships--and above all, of Ulysses, the wanderer, the most human, the most complete of all heroes--husband, father, son, lover, farmer, soldier, pacifist, politician, inventor and adventurer...

Long ago an uncalled rain fell and a called-upon God stayed equally distant.

When it begins it is like a light in a tunnel, a rush of steel andsteam across a torn up life. It is a low rumble, an earthquake in theback of the mind. My spine is a track with cold black steel racing onit, a trail of steam and dust following behind, ghost like. It feelslike my whole life is holding its breath.By the time she leaves the room I am surprised that she can__ see thetrain. It has jumped the track of my spine and landed in my mothers__iving room. A cold dark thing, black steel and redwood paneling. Itis the old type, from the western movies I loved as a kid.He throws open the doors to the outside world, to the dark ocean. Ifeel a breeze tugging at me, a slender finger of wind that catches atmy shirt. Pulling. Grabbing. I can feel the panic build in me, theneed to scream or cry rising in my throat.And then I am out the door, running, tumbling down the steps fallingout into the darkened world, falling out into the lifeless ocean. Outinto the blackness. Out among the stars and shadows.And underneath my skin, in the back of my head and down the back of myspine I can feel the desperation and I can feel the noise. I can feelthe deep and ancient ache of loudness that litters across my bones.It__ like an old lover, comfortable and well known, but unwelcome andinappropriate with her stories of our frolicking.And then she__ gone and the Conductor is closing the door. Thedarkness swells around us, enveloping us in a cocoon, pressing flatagainst the train like a storm. I wonder, what is this place?Those had been heady days, full and intense. It__ funny. I rememberthe problems, the confusions and the fears of life we all dealt with.But, that all seems to fade. It all seems to be replaced by images ofthe days when it was all just okay. We all had plans back then,patterns in which we expected the world to fit, how it was to bedeciphered.Eventually you just can__ carry yourself any longer, can__ keep youreyelids open, and can__ focus on anything but the flickering light ofthe stars. Hours pass, at first slowly like a river and then all in arush, a climax and I am home in the dorm, waking up to the ringing ofthe telephone.When she is gone the apartment is silent, empty, almost like a personsleeping, waiting to wake up. When she is gone, and I am alone, I curlup on the bed, wait for the house to eject me from its dying corpse.Crazy thoughts cross through my head, like slants of light in anattic.The Boston 395 rocks a bit, a creaking noise spilling in from theundercarriage. I have decided that whatever this place is, all thesenoises, sensations - all the train-ness of this place - is afabrication. It lulls you into a sense of security, allows you to feelas if it__ a familiar place. But whatever it is, it__ not a train, orat least not just a train.The air, heightened, tense against the glass. I can hear the squeak ofshoes on linoleum, I can hear the soft rattle of a dying man__breathing. Men in white uniforms, sharp pressed lines, run past,rolling gurneys down florescent hallways.

Science has discovered that, like any work of literature, the human genome is a text in need of commentary, for what Eliot said of poetry is also true of DNA: 'all meanings depend on the key of interpretation.' What makes us human, and what makes each of us his or her own human, is not simply the genes that we have buried into our base pairs, but how our cells, in dialogue with our environment, feed back to our DNA, changing the way we read ourselves. Life is a dialectic.

So witless did these ideas strike me as being, so sweeping and pompous the way they were expressed, that I associated them immediately with literature.