Jesus is why women have traveled continents, spent decades learning a strange language so they could translate the Gospel, planting churches, caring for the sick, educating the illiterate, and marching for the oppressed.
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For me, French is so rich and so sacred that learning it is like learning a foreign language.
The luster of an experience can actually go up with time. So, learning to play a new instrument, learning a new language - those sorts of things will pay dividends for years or decades to come.
I think the best part of learning a language is that you can see the country's culture through the language. And it gives you different levels of understanding of that culture when you really try to dig in and learn it.
It's like learning a language; you can't speak a language fluently until you find out who you are in that language, and that has as much to do with your body as it does with vocabulary and grammar.
You could imagine a language exactly like English except it doesn't have connectives like 'and' that allow you to make longer expressions. An infant learning truncated English would have no idea about this: They would just pick it up as they would standard English.
Learning another language is not only learning different words for the same things, but learning another way to think about things.
Just learning to think in another language allows you to see your own culture in a better viewpoint.
A spirit, breathing the language of independence, is natural to Englishmen, few of whom are disposed to brook compulsion, or submit to the dictates of others, when not softened by reason, or tempered with kindness.
'Station to Station' came out of a sense of urgency - a sense that culture, be it art, film or architecture, has become so compartmentalised. For this project, we wanted to break that and create a language that is more nomadic and less materialistic and really empowering for the creators and the audience.
The British political system and the whole clapped out Westminster architecture, and the language that we use about politics, it's completely unsustainable. You either decide to be part of that transition to do something different. Or you cling to old certainties.
Architects have made architecture too complex. We need to simplify it and use a language that everyone can understand.
In a society that celebrates the inessential, architecture can put up a resistance, counteract the waste of forms and meanings and speak its own language.
The case for exploiting animals for food, clothing and entertainment often relies on our superior intelligence, language and self-awareness: the rights of the superior being trump those of the inferior.
Human language is the new UI layer, bots are like new applications, and digital assistants are meta apps. Intelligence is infused into all of your interactions.
When our governments want to sell us a course of action, they do it by making sure it's the only thing on the agenda, the only thing everyone's talking about. And they pre-load the ensuing discussion with highly selected images, devious and prejudicial language, dubious linkages, weak or false 'intelligence' and selected 'leaks.'
Philosophy is a battle against the bewitchment of our intelligence by means of language.
Ours is the age of substitutes: instead of language, we have jargon: instead of principles, slogans: and, instead of genuine ideas, bright ideas.