images

When I think of what I already lived through it seems to me I was shedding my bodies along the paths.

Health makes good propaganda.

By viewing images we cast onto outer reality as mirror reflections of inner reality, we come to know ourselves.

What happens when you shut your eyes? The images you have been accustomed to look at suddenly disappear. See through the images by closing your eyes and opening your heart.

Have you ever wanted something so desperately that you imagine it, day in and day out, until you have created an image of perfection that becomes the 'real thing'? Suddenly, all you have to live for is the image in your head that may not be real to anyone else in the world, but is most certainly real to you. Nothing is as perfect, not even the thing itself, as the image you have created in your mind.

My objective is to create my own world and these images which we create mean nothing more than the images which they are. We have forgotten how to relate emotionally to art: we treat it like editors, searching in it for that which the artist has supposedly hidden. It is actually much simpler than that, otherwise art would have no meaning. You have to be a child__ncidentally children understand my pictures very well, and I haven__ met a serious critic who could stand knee-high to those children. We think that art demands special knowledge; we demand some higher meaning from an author, but the work must act directly on our hearts or it has no meaning at all.

It does not matter what religion you are, so long as your conscience guides your words and actions. We are all reflections of God means we are all reflections of his image _ which is LIGHT. There is only one God and that is the cosmic heart of the universe _ whatever you choose to call him or her. The heart within us is what connects us to God (the heart of the universe). This super basic concept is preached in all religions. God is TRUTH and LIGHT, and only through your conscience do you connect to him. Any person who does not use their conscience is very disconnected from God. Because again, the language of light can only be decoded by the heart.

Our approach to reality, our sense of reality, cannot assume that the text of nature, the book of life, is a cryptogram concealing just a single meaning. Rather, it is an expanding riddle of a multiplicity of resonating images.

To suffer is one thing; another thing is living with the photographed images of suffering, which does not necessarily strengthen conscience and the ability to be compassionate. It can also corrupt them. Once one has seen such images, one has started down the road of seeing more - and more. Images transfix. Images anesthetize.

We form a mental map, and then that shape, shapes us

People easily become familiar with what you teach them practically than what you tell them verbally. Action fixes images in their minds and they can carry those images for a long period.

I would willingly pass my life writing and re-writing the same book - that one book every writer carries within him - the image of his own soul.

My soul is a black maelstrom, a great madness spinning about a vacuum, the swirling of a vast ocean around a hole in the void, and in the waters, more like whirlwinds than waters, float images of all I ever saw or heard in the world: houses, faces, books, boxes, snatches of music and fragments of voices, all caught up in a sinister, bottomless whirlpool.

Where woman do not fit the Iron Maiden [societal expectations/assumptions about women's bodies], we are now being called monstrous, and the Iron Maiden is exactly that which no woman fits, or fits forever. A woman is being asked to feel like a monster now though she is whole and fully physically functional. The surgeons are playing on the myth's double standard for the function of the body. A man's thigh is for walking, but a woman's is for walking and looking "beautiful." If women can walk but believe our limbs look wrong, we feel that our bodies cannot do what they are meant to do; we feel as genuinely deformed and disabled as the unwilling Victorian hypochondriac felt ill.

Aging in women is 'unbeautiful' since women grow more powerful with time, and since the links between generations of women must always be broken.

Spokespeople sell women the Iron Maiden and name her "Health": if public discourse were really concerned with women's health, it would turn angrily upon this aspect of the beauty myth.

Sexual satisfaction eases the stranglehold of materialism, since status symbols no longer look sexual, but irrelevant. Product lust weakens where emotional and sexual lust intensifies. The price we pay for artificially buoying up this market is our heart's desire. The beauty myth keeps a gap of fantasy between men and women. That gap is made with mirrors; no law of nature supports it. It keeps us spending vast sums of money and looking distractedly around us, but its smoke and reflection interfere with our freedom to be sexually ourselves.

Why does the social order feel the need to defend itself by evading the fact of real women, our faces and voices and bodies, and reducing the meaning of women to these formulaic and endlessly reproduced "beautiful" images? Though unconscious personal anxieties can be a powerful force in the creation of a vital lie, economic necessity practically guarantees it. An economy that depends on slavery needs to promote images of slaves that "justify" the institution of slavery. Western economies are absolutely dependent now on the continued underpayment of women. An idealogy that makes women feel "worth less" was urgently needed to counteract the way feminism had begun to make us feel worth more. This does not require a conspiracy; merely an atmosphere. The contemporary economy depends right now on the representation of women within the beauty myth.