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What drew him back was something altogether more personal, to a history where, in the pain and longing of adolescence, he was still standing on the corner of Queen and Albert Streets waiting for someone that he knew would never appear. He had long understood that one of his selves, the earliest and most vulnerable, had never left this place, and this original and clearest view of things could be recovered only through what had first come to him in the glow of its ordinary light and weather...it was the light they appeared in that was the point, and that at least had not changed.

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Oh, glorious Art!" thus mused the enthusiastic painter, as he trod the street. "Thou art the image of the Creator's own. The innumerable forms that wander in nothingness start into being at thy beck. The dead live again. Thou recallest them to their old scenes, and givest their gray shadows the lustre of a better life, at once earthly and immortal. Thou snatchest back the fleeing moments of History. With thee, there is no Past; for at thy touch, all that is great becomes forever present; and illustrious men live through long ages in the visible performance of the very deeds which made them what they are.

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Nathaniel Hawthorne

The Prophetic Pictures

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History is about the past. Yet it exists only in the present _ the moment of its creation as history provides us with a narrative constructed after the events with which it is concerned. The narrative must then relate to the moment of its creation as much as its historical subject. History presents an historian with the task of producing a dialogue between the past and the present. But as these temporal co-ordinates cannot be fixed, history becomes a continuous interaction between the historian and the past. As such, history can be seen as a process of evaluation whereby the past is always coloured by the intellectual fashions and philosophical concerns of the present. This shifting perspective on the past is matched by the fluid status of the past itself.