Shelly shook her head and made sure she had plenty of space so that she wouldn__ hit anything. As many times before, she kept the hoop close to her waist and then twirled it with small, tight bursts of speed. As the hoop gathered in momentum it started to give off a hum that soon took on a light blue illumination far brighter than the streetlamps. It was so bright, that it lit up the entire backyard.
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Materializations are often best produced in rooms where there are books. I cannot think of any time when materialization was in any way hampered by the presence of books.
I need someone who can be invisible, who can become a ghost. Do you think you can do that?"I'm already a ghost, she thought. I died in the hold of a slaver ship."i think so.
While he attends to his rats, Persinger gives me the lowdown on the haunt theory. Why would a certain type of electromagnetic field make one hear things or sense a presence? What__ the mechanism? The answer hinges on the fact that exposure to electromagnetic fields lowers melatonin levels. Melatonin, he explains, is an anti-convulsive; if you have less of it in your system, your brain __n particular, your right temporal lobe_ will be more prone to tiny epileptic-esque microseizures and the subtle hallucinations these seizures can cause.
It__ possible that the reason I've never experienced a ghostly presence is that my temporal lobes aren't wired for it. It could well be that the main difference between skeptics (Susan Blackmore notwithstanding) and believers is the neural structure they were born with. But the question still remains: Are these people whose EMF-influenced brains alert them to __resences_ picking up something real that the rest of us can__ pick up, or are they hallucinating? Here again, we must end with the Big Shrug, a statue of which is being erected on the lawn outside my office.
Have you ever come across something you couldn't explain?""Explain in what way? I could explain a ghost by saying, 'yes, that's a ghost.' I take it that's not what you mean.
Have you ever come across something you couldn't explain?""Explain in what way? I could explain a ghost by saying, 'yes, that's a ghost.' I take it, that's not what you mean.
But what if time worked the other way around?What if what his adolescent self had felt then was the ghost of his present one, sitting here on a sagging bench, beckoning him into his future?
There is a time in the life of every boy when he for the first time takes the backward view of life. Perhaps that is the moment when he crosses the line into manhood. The boy is walking through the street of his town. He is thinking of the future and of the figure he will cut in the world. Ambitions and regrets awake within him. Suddenly something happens; he stops under a tree and waits as for a voice calling his name. Ghosts of old things creep into his consciousness; the voices outside of himself whisper a message concerning the limitations of life. From being quite sure of himself and his future he becomes not at all sure. If he be an imaginative boy a door is torn open and for the first time he looks out upon the world, seeing, as though they marched in procession before him, the countless figures of men who before his time have come out of nothingness into the world, lived their lives and again disappeared into nothingness. The sadness of sophistication has come to the boy. With a little gasp he sees himself as merely a leaf blown by the wind through the streets of his village. He knows that in spite of all the stout talk of his fellows he must live and die in uncertainty, a thing blown by the winds, a thing destined like corn to wilt in the sun.
I'm not afraid of anything anymore. I've found out Ghosts don't hide under my bed or in my closets either. They exist in plain sight - everyday; Conjured up by 'our song' playing on the radio. By the mailman's blue eyes that are so like yours I could get utterly lost in them. They come as raindrops, kissing my skin... the way you used to. Ghosts are everywhere.
Nothing is a masterpiece - a real masterpiece - till it's about two hundred years old. A picture is like a tree or a church, you've got to let it grow into a masterpiece. Same with a poem or a new religion. They begin as a lot of funny words. Nobody knows whether they're all nonsense or a gift from heaven. And the only people who think anything of 'em are a lot of cranks or crackpots, or poor devils who don't know enough to know anything. Look at Christianity. Just a lot of floating seeds to start with, all sorts of seeds. It was a long time before one of them grew into a tree big enough to kill the rest and keep the rain off. And it's only when the tree has been cut into planks and built into a house and the house has got pretty old and about fifty generations of ordinary lumpheads who don't know a work of art from a public convenience, have been knocking nails in the kitchen beams to hang hams on, and screwing hooks in the walls for whips and guns and photographs and calendars and measuring the children on the window frames and chopping out a new cupboard under the stairs to keep the cheese and murdering their wives in the back room and burying them under the cellar flags, that it begins even to feel like a religion. And when the whole place is full of dry rot and ghosts and old bones and the shelves are breaking down with old wormy books that no one could read if they tried, and the attic floors are bulging through the servants' ceilings with old trunks and top-boots and gasoliers and dressmaker's dummies and ball frocks and dolls-houses and pony saddles and blunderbusses and parrot cages and uniforms and love letters and jugs without handles and bridal pots decorated with forget-me-nots and a piece out at the bottom, that it grows into a real old faith, a masterpiece which people can really get something out of, each for himself. And then, of course, everybody keeps on saying that it ought to be pulled down at once, because it's an insanitary nuisance.
I've got quite a vivid imagination and I'm easily overwhelmed by sensations and things that are beautiful or scary. I don't think I've ever seen a ghost - I think I'm probably haunted by my own ghosts than real ones.
Man has not really vanquished Shamanism and its spooks till he possesses the strength to lay aside not only the belief in ghosts or in spirits, but also the belief in the spirit.
Science fiction is no more written for scientists that ghost stories are written for ghosts.
Some ghosts or felt presences may simply be the essence of another living person projected outward while sleeping.
The stones themselves are thick with history, and those cats that dash through the alleyways must surely be the ghosts of the famous dead in feline disguise.
True love is like ghosts, which everyone talks about and few have seen.
If dreams are like movies, then memories are films about ghosts.