fairy-tales

There is no greater achievement than being a grandfather who tells fairy tales to grandchildren.

At all ages, if [fantasy and myth] is used well by the author and meets the right reader, it has the same power: to generalize while remaining concrete, to present in palpable form not concepts or even experiences but whole classes of experience, and to throw off irrelevancies. Bat at its best it can do more; it can give us experiences we have never had and thus, instead of 'commenting on life,' can add to it.

If you like the fairy tales, visit the old towns!

And the old woman who had been the prince__ nurse became nurse to the prince__ children _ at least she was called so; though she was far too old to do anything for them but love them. Yet she still thought that she was useful, and knew that she was happy. And happy, indeed, were the prince and princess, who in due time became king and queen, and lived and ruled long and prosperously.

Thing is," Grial said in a conspiratorial voice, "let me tell you a little secret, girlie. That road- those roads, all roads and paths in fact- they never end. You might think they do. You might think they just narrow and fade and disappear in the hoary depths of the forest? Not so, not at all! They merely go into hiding, and you just have to search a bit harder to see them.

And without further argument he unsheathed the sword and cleaved Miss Foxe's head from her neck. He knew what was supposed to happen. He knew that this awkward, whispering creature before him should now transform into a princess - dazzlingly beautiful, free, and made wise by her hardship. That is not what happened.

Perhaps it also demonstrates that any young girl can live quite healthily on coarse bread and clear water _ so long as she has fine clothes.

Can you not see, [_] that fairy tales in their essence are quite solid and straightforward; but that this everlasting fiction about modern life is in its nature essentially incredible? Folk-lore means that the soul is sane, but that the universe is wild and full of marvels. Realism means that the world is dull and full of routine, but that the soul is sick and screaming. The problem of the fairy tale is-what will a healthy man do with a fantastic world? The problem of the modern novel is-what will a madman do with a dull world? In the fairy tales the cosmos goes mad; but the hero does not go mad. In the modern novels the hero is mad before the book begins, and suffers from the harsh steadiness and cruel sanity of the cosmos.

No one, I fancy, would discredit a story that the Archbishop of Canterbury slipped on a banana skin merely because he found that a similar comic mishap had been reported of many people, and especially of elderly gentlemen of dignity.

Fairy tales thrive on black and white. In life, there__ only grey _ no bad guys, no good guys. You could be the Cheshire cat, Snow White, a troll or a pastry-making witch whose diet consists only of little kids, but you__l always be you.

He wanted to get her naked. Horizontal. He wanted to put his hands all over her. His mouth all over her. He hated her clothes. And his. He wanted them off. He wanted to imprint himself on her skin.

Fairy tales are experienced by their hearers and readers, not as realistic, but as symbolic poetry.

I like stories where women save themselves.

The Other Worlds which fairy tales explore open a way for writers and storytellers to speak in Other terms, especially when the native inhabitants of the imaginary places do not belong to an established living faith and therefore do not command belief or repudiation. The tongue can be very free when it is speaking outside the jurisdiction of religion.

He was a Crosby, Stills and Nash song. He loved the one he was with. He was casual with a capital C.

I__ going to drag you down to the basement, kneel at your feet, rip your jeans down and I__ going to make you come so hard with my tongue the whole damn pub will think you__e being murdered.

Even in the wood, there was a right road and a wrong one. All the most terrifying fairy tales inevitably began with some foolish innocent (or two) straying from the path. Then anything might happen.

As the literary fairy tale spread in France to every age group and every social class, it began to serve different functions, depending on the writer's interests. It represented the glory and ideology of the French aristocracy. It provided a symbolic critique, with utopian connotations, of the aristocratic hierarchy, largely within the aristocracy itself and from the female viewpoint. It introduced the norms and values of the bourgeois civilizing process as more reasonable and egalitarian than the feudal code. As a divertissement for the aristocracy and bourgeoisie, the fairy tale diverted the attention of listeners/readers from the serious sociopolitical problems of the times, compensating for the deprivations that the upper classes perceived themselves to be suffering. There was also an element of self-parody, revealing the ridiculous notions in previous fairy tales and representing another aspect of court society to itself; such parodies can be seen in Jacques Cazotte's "A Thousand and One Follies" (1746), Jean-Jacques Rousseau's "The Queen Fantasque" (1758), and Voltaire's "The White Bull" (1774). Finally, fairy tales with clear didactic and moral lessons were approved as reading matter to serve as a subtle, more pleasurable means of initiating children into the class rituals and customs that reinforced the status quo.