Imagine that the genome is a book.There are twenty-three chapters, called CHROMOSOMES.Each chapter contains several thousand stories, called GENES.Each story is made up of paragraphs, called EXTONS, which are interrupted by advertisements called INTRONS.Each paragraph is made up of words, called CODONS.Each word is written in letters called BASES.
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The word 'NO' is the best motivation there is for the storyteller in you.
There is no book so bad it does not contain something good.
Why would a book in which hardly anything happened for most of the time eat at me so much? It was the weirdest thing
People are never satisfied. If they have a little, they want more. If they have a lot, they want still more. Once they have more, they wish they could be happy with little, but are incapable of making the slightest effort in that direction.
Books have power to bring you glory or doom, it all depends on perception.
To become a 'good reader' one must give oneself over to a regime of concentrated pleasure. One does not set out to read a book a day (there is no necessary pleasure in that) but may spend two or three years on one book [. . .], read only portions of another, devour a third at a single sitting.
Evidently, I'd suffered an epiphany: the subconscious realization that when it comes to coolness, nothing the human race has ever invented is more cool than a book.
Perhaps reading and writing books is one of the last defences human dignity has left, because in the end they remind us of what God once reminded us before He too evaporated in this age of relentless humiliations__hat we are more than ourselves; that we have souls.
I am very careful about who I choose to build memories with. Some of them might last a lifetime.
Writing is about taking everyday observations, things which people see almost every day of their lives, and yet bringing it to their attention for the very first time.
The committees scour the bookstores, printing and publishing houses, paying particular attention to secondhand bookstores. There, they requisition countless copies of 'Incautious Maidens' or 'Flames at the Metropole.' So that those who prefer the false view of the world presented in cheap novels will never find refuge again.
I never thought I'd fall madly in love with literature.
Yet when books have been read and reread, it boils down to the horse, his human companion, and what goes on between them.
People are never satisfied. If they have a little, they want more. If they have a lot, they want still more. Once they have more, they wish they could be happy with little, but are incapableof making the slightes effort in that direction.
Hundreds of thousands of people live in my library. Some are real, others are fictional. The real ones are the so-called imaginary characters in works of literature, the fictional ones are their authors. We know everything about the former, or at least as much as we are meant to know, everything that is written about a given character in a novel, a story or a poem in which she or he figures...The rest doesn't matter. Nothing is hidden from us. For us, a novel's characters are real. (p. 80
Well-wrought poems and works of imaginative literature can do for us what stone-cold prose can never do. They can help us grasp the full dimension of ways of life other than our own.
He had some taste for romance reading before he went to the university, where, we must confess, in justice to his college, he was cured of the love of reading in all its shapes; and the cure would have been radical, if disappointment in love, and total solitude, had not conspired to bring on a relapse.