book

For a true writer, each book should be a new beginning where he tries again for something that is beyond attainment. He should always try for something that has never been done or that others have tried and failed. Then sometimes, with great luck, he will succeed.

I often visit Maria Tatar's 'The Grimm Reader' for a cold dose of courage. Her translations come from the Brothers Grimm, whose now-famous collection of 'Kinder- und Hausmarchen' ('Children's and Household Tales') was first published in 1812. The book was not intended for young readers.

When finally I mustered the courage to tell a novelist friend that I was talking to editors about a biography, her reply was, 'Oh, that's okay. That's not a real book.'

I do get scared, but I think - like it says in another book I've read - feel the fear and do it anyway. I try to have courage, pray a little bit and work through it. I'd rather try, even if I fail.

The truth doesn't change. It was the same when Moses got the Ten Commandments as it is today. That's the thing about the truth. That's the thing about real. It doesn't change and it doesn't have to change. Now you can put it in a different book, but it's still real. It's still the truth.

Honesty is the first chapter in the book of wisdom.

Getting out of the hospital is a lot like resigning from a book club. You're not out of it until the computer says you're out of it.

Athol Fugard became famous as a playwright, so although 'Tsotsi' the book was written in the '60s, it was only published in the '80s. It was then optioned pretty much every year by producers. I think the problem was that holding onto its period setting made it very hard to get finance.

After two decades of personal finance reporting, I've heard every excuse in the book for not saving money. That said, none of them really hold up - at least over the long term.

I would have never wanted to write another management book. There are so many of them, and everybody says the same thing about them, and they are all the same - they give the exact same advice. It's like a diet book; they all say eat less calories, exercise more, and every single book has the same conclusion.

Noam Chomsky has a book, which I read for the first time when I was in Spain, called 'Fear of Democracy'. There is your answer. Fear of democracy. In Honduras, they had a sham democracy. It was run by elites, what was called a liberal democracy, but in reality was a false democracy.

When a novel has 200,000 words, then it is possible for the reader to experience 200,000 delights, and to turn back to the first page of the book and experience them all over again, perhaps more intensely.

I try to make the readers feel they've lived the events of the book. Just as you grieve if a friend is killed, you should grieve if a fictional character is killed. You should care. If somebody dies and you just go get more popcorn, it's a superficial experience isn't it?

Writing 'Book 1: The Maze of Bones' didn't feel much different than writing one of my other novels, but I thought it was very innovative to offer the website and trading card components as well for those readers who wanted to go more in depth with the Cahill experience.

I was in three academic clubs, a huge book worm and the teacher's pet. I was kind of an easy target for bullies.

Don't buy furs: that's No. 1. You can start with that. Then spay and neuter your pets. We destroy millions of them a year. Go to an animal shelter for a cat or dog. And read a book about how to care properly for your particular pet.

For years I've wanted to write about the Australian countryside, but, like most Australians, I've only got a tourist's knowledge of it. I thought that if I disobeyed that basic rule of writing - write about what you know - I'd write a thin and inauthentic book.

Sometimes street knowledge can be as important as book knowledge.