An intensely gripping narrative...expertly crafted and totally addictive...a must read!
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Like Sylvia Plath, Natalie Jeanne Champagne invites you so close to the pain and agony of her life of mental illness and addiction, which leaves you gasping from shock and laughing moments later: this is both the beauty and unique nature of her storytelling. With brilliance and courage, the author's brave and candid chronicle travels where no other memoir about mental illness and addiction has gone before. The Third Sunrise is an incredible triumph and Natalie Jeanne Champagne is without a doubt the most important new voice in this genre.
Netiquette Positive Word of The Day: Able - having skill to do something. Intelligence is a synonym. NetworkEtiquette.net
A midst deceit I found the truth;there in the rough I found a diamond.And from the moment we met,I think of no one elseToday I choose to be, to live and breathe;to dream, to weep, and to sing in free verse.And you, the object of my delight:a like-minded opposite I am myself with,a mind-fuck times six, seven, eight thousand and three.I know that you love me with every inch of your deep.
I do not go to church. I don__ go to Christian church or Jew church or any other church. I don__ go to church at all. Not ever. A perfect Sunday for me is spent drinking green tea while reading the Sunday New York Times. Yikes! Why don__ I just turn in my Al-Qaeda membership form and call it a day? As if that wasn__ bad enough, not only do I not go to church:I don__ believe in God. How can I say the Pledge of Allegiance if I don__ believe in God? How can I spend our American currency which pledges __n God We Trust?_ How can I swear to tell the truth, the whole truth, so help me God? Answer: I can__. It__ a real problem. Don__ get me wrong _ I__ like to believe in God. I wish I did, especially if He was the kind of God that thought America was #1. But I don__, which to many people is the same as not believing in America. Up until recently, I thought those people were lunatics.
...trying to use willpower to overcome the apathetic sort of sadness that accompanies depression is like a person with no arms trying to punch themselves until their hands grow back. A fundamental component of the plan is missing and it isn't going to work.
Put emotions to thoughts. Thoughts to words. Words to paragraphs. Paragraphs to pictures. Let your mind be known, heard and seen. Your thoughts are real as it could be.
A million years ago - some hairy bastard daubed a horse on the wall of his cave, he saw it, he drew it - well done! Flash forward: 'Hello, welcome to my vlog. Today I bought a plum
Many people in this room have an Etsy store where they create unique, unreplicable artifacts or useful items to be sold on a small scale, in a common marketplace where their friends meet and barter. I and many of my friends own more than one spinning wheel. We grow our food again. We make pickles and jams on private, individual scales, when many of our mothers forgot those skills if they ever knew them. We come to conventions, we create small communities of support and distributed skills--when one of us needs help, our village steps in. It__ only that our village is no longer physical, but connected by DSL instead of roads. But look at how we organize our tribes--bloggers preside over large estates, kings and queens whose spouses_ virtues are oft-lauded but whose faces are rarely seen. They have moderators to protect them, to be their knights, a nobility of active commenters and big name fans, a peasantry of regular readers, and vandals starting the occasional flame war just to watch the fields burn. Other villages are more commune-like, sharing out resources on forums or aggregate sites, providing wise women to be consulted, rabbis or priests to explain the world, makers and smiths to fashion magical objects. Groups of performers, acrobats and actors and singers of songs are traveling the roads once more, entertaining for a brief evening in a living room or a wheatfield, known by word of mouth and secret signal. Separate from official government, we create our own hierarchies, laws, and mores, as well as our own folklore and secret history. Even my own guilt about having failed as an academic is quite the crisis of filial piety--you see, my mother is a professor. I have not carried on the family trade.We dwell within a system so large and widespread, so disorganized and unconcerned for anyone but its most privileged and luxurious members, that our powerlessness, when we can summon up the courage to actually face it, is staggering. So we do not face it. We tell ourselves we are Achilles when we have much more in common with the cathedral-worker, laboring anonymously so that the next generation can see some incremental progress. We lack, of course, a Great Work to point to and say: my grandmother made that window; I worked upon the door. Though, I would submit that perhaps the Internet, as an object, as an aggregate entity, is the cathedral we build word by word and image by image, window by window and portal by portal, to stand taller for our children, if only by a little, than it does for us. For most of us are Lancelots, not Galahads. We may see the Grail of a good Classical life, but never touch it. That is for our sons, or their daughters, or further off.And if our villages are online, the real world becomes that dark wood on the edge of civilization, a place of danger and experience, of magic and blood, a place to make one__ name or find death by bear. And here, there be monsters.
Don__ approach a dragon from the front, a jakkar from the back or a norn from any side. Annuan saying.
...while epic fantasy is based on the fairy tale of the just war, that__ not one you__l find in Grimm or Disney, and most will never recognize the shape of it. I think the fantasy genre pitches its tent in the medieval campground for the very reason that we even bother to write stories about things that never happened in the first place: because it says something subtle and true about our own world, something it is difficult to say straight out, with a straight face. Something you need tools to say, you need cheat codes for the human brain--a candy princess or a sugar-coated unicorn to wash down the sour taste of how bad things can really get.See, I think our culture has a slash running through the middle of it, too. Past/Future, Conservative/Liberal, Online/Offline. Virgin/Whore. And yes: Classical/Medieval. I think we__e torn between the Classical Narrative of Self and the Medieval Narrative of Self, between the choice of Achilles and Keep Calm and Carry On.The Classical internal monologue goes like this: do anything, anything, only don__ be forgotten. Yes, this one sacrificed his daughter on a slab at Aulis, that one married his mother and tore out his eyes, and oh that guy ate his kids in a pie. But you remember their names, don__ you? So it__ all good in the end. Give a Greek soul a choice between a short life full of glory and a name echoing down the halls of time and a long, gentle life full of children and a quiet sort of virtue, and he__l always go down in flames. That__ what the Iliad is all about, and the Odyssey too. When you get to Hades, you gotta have a story to tell, because the rest of eternity is just forgetting and hoping some mortal shows up on a quest and lets you drink blood from a bowl so you can remember who you were for one hour.And every bit of cultural narrative in America says that we are all Odysseus, we are all Agamemnon, all Atreus, all Achilles. That we as a nation made that choice and chose glory and personal valor, and woe betide any inconvenient __ther people_ who get in our way. We tell the tales around the campfire of men who came from nothing to run dotcom empires, of a million dollars made overnight, of an actress marrying a prince from Monaco, of athletes and stars and artists and cowboys and gangsters and bootleggers and talk show hosts who hitched up their bootstraps and bent the world to their will. Whose names you all know. And we say: that can be each and every one of us and if it isn__, it__ your fault. You didn__ have the excellence for it. You didn__ work hard enough. The story wasn__ about you, and the only good stories are the kind that have big, unignorable, undeniable heroes.
Great losses are great lessons.
Be a worthy worker and work will come.
I don't imagine book elitists as my audience when writing. I dream about teachers, morticians and garbage men instead.
How easy it is for so many of us today to be undoubtedly full of information yet fully deprived of accurate information.
After all, it's all kinds of things that make up a life, right? The big, like falling in love and spending time with your family, and the little....like blow drying your hair, applying concealer, and cursing those magazine inserts. It all counts. It has to.
Naturally I feel no shame in writing these things because of the time which separates the moment when they are written--when only I can see them--from the moment when they will be read by other people, a moment which I feel will never come. By then I could have had an accident or died; a war or a revolution could have broken out. This delay makes it possible for me to write today, in the same way I used to lie in the scorching sun for a whole day at sixteen, or make love wihout contraceptives at twenty: without thinking about the consequences
I do believe that characters in novels belong to their writers and their readers pretty equally. I've learned a lot of things about the characters I write from people who read about them. Readers expand them in ways I don't think of and take them to places I can't go.