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It__ the poet we love in Caeiro, not the philosopher. What we really get from these poems is a childlike sense of life, with all the direct materiality of the child__ mind, and all the vital spirituality of hope and increase that exist in the body and soul of nescient childhood. Caeiro__ work is a dawn that wakes us up and quickens us; a more that material, more than anti-spiritual dawn. It__ an abstract effect, pure vacuum, nothingness.

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He sank back into his black-and-white world, his immobile world of inanimate drawings that had been granted the secret of motion, his death-world with its hidden gift of life. But that life was a deeply ambiguous life, a conjurer's trick, a crafty illusion based on an accidental property of the retina, which retained an image for a fraction of a second after the image was no longer present. On this frail fact was erected the entire structure of the cinema, that colossal confidence game. The animated cartoon was a far more honest expression of the cinematic illusion than the so-called realistic film, because the cartoon reveled in its own illusory nature, exulted in the impossible--indeed it claimed the impossible as its own, exalted it as its own highest end, found in impossibility, in the negation of the actual, its profoundest reason for being. The animated cartoon was nothing but the poetry of the impossible--therein lay its exhilaration and its secret melancholy. For this willful violation of the actual, while it was an intoxicating release from the constriction of things, was at the same time nothing but a delusion, an attempt to outwit mortality. As such it was doomed to failure. And yet it was desperately important to smash through the constriction of the actual, to unhinge the universe and let the impossible stream in, because otherwise--well, otherwise the world was nothing but an editorial cartoon.

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It is the truth, a force of nature that expresses itself through me ___ am only a channel _ I can imagine in many instances where I would become sinister to you.For instance, if life had led you to take up an artificial attitude, then you wouldn't be able to stand me, because I ama natural being.By my very presence I crystallize; I am a ferment.The unconscious of people who live in an artificial manner senses me as a danger.Everything about me irritates them, my way of speaking, my way of laughing.They sense nature.

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It is the truth, a force of nature that expresses itself through me _ I am only a channel _ I can imagine in many instances where I would become sinister to you.For instance, if life had led you to take up an artificial attitude, then you wouldn't be able to stand me, because I am a natural being.By my very presence I crystallize; I am a ferment.The unconscious of people who live in an artificial manner senses me as a danger.Everything about me irritates them, my way of speaking, my way of laughing.They sense nature.

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Animals died when their time came, and meanwhile they didn't bother with clothes, or go to war, or get drunk, or judge other animals by there look. They didn't get afraid unless there was something to be afraid of. She herself came apart with terror over something she couldn't define or understand. She didn't get afraid of something. She just got terrified> Filled with anxiety. For no reason. For no reason she could name. Would name.Animals didn't look back with shivering shame at things in their past. They didn't quake at the thought of what lay ahead. They didn't try to make it into clique and feel sick with humiliation because they couldn't make it.

MS
Mary Stolz

Cat in the Mirror