artistic

I am an artist you know ... it is my right to be odd.

Artistic temperament is like a king with vigor and unlimited opportunity. You shake the structure to pieces by playing with it.

She preferred the quiet solitary atmosphere, to create in her own world of paint and colour, the thrill of anticipating how her works would turn out as she eyed the blank sheets of paper or canvas before starting her next masterpiece. How satisfying it was to mess around in paint gear, without having to worry about spills, starch or frills, that was the life!

The __use_ is not an artistic mystery, but a mathematical equation. The gift are those ideas you think of as you drift to sleep. The giver is that one you think of when you first awake.

It is impossible to be truly artistic without the risk of offending someone somewhere.

Jazz is democracy in music.

Closed in a room, my imagination becomes the universe, and the rest of the world is missing out.

I don't want to write a mass before being in a state to do it well, that is a Christian. I have therefore taken a singular course to reconcile my ideas with the exigencies of Academy rules. They ask me for something religious: very well, I shall do something religious, but of the pagan religion. . . . I have always read the ancient pagans with infinite pleasure, while in Christian writers I find only system, egoism, intolerance, and a complete lack of artistic taste.

I fancy my father thought me an odd child, and had little fondness for me; though he was very careful in fulfilling what he regarded as a parent's duties. But he was already past the middle of life, and I was not his only son. My mother had been his second wife, and he was five-and-forty when he married her. He was a firm, unbending, intensely orderly man, in root and stem a banker, but with a flourishing graft of the active landholder, aspiring to county influence: one of those people who are always like themselves from day to day, who are uninfluenced by the weather, and neither know melancholy nor high spirits. I held him in great awe, and appeared more timid and sensitive in his presence than at other times; a circumstance which, perhaps, helped to confirm him in the intention to educate me on a different plan from the prescriptive one with which he had complied in the case of my elder brother, already a tall youth at Eton. My brother was to be his representative and successor; he must go to Eton and Oxford, for the sake of making connexions, of course: my father was not a man to underrate the bearing of Latin satirists or Greek dramatists on the attainment of an aristocratic position. But intrinsically, he had slight esteem for "those dead but sceptred spirits"; having qualified himself for forming an independent opinion by reading Potter's Aeschylus, and dipping into Francis's Horace. To this negative view he added a positive one, derived from a recent connexion with mining speculations; namely, that scientific education was the really useful training for a younger son. Moreover, it was clear that a shy, sensitive boy like me was not fit to encounter the rough experience of a public school. Mr. Letherall had said so very decidedly. Mr. Letherall was a large man in spectacles, who one day took my small head between his large hands, and pressed it here and there in an exploratory, suspicious manner - then placed each of his great thumbs on my temples, and pushed me a little way from him, and stared at me with glittering spectacles. The contemplation appeared to displease him, for he frowned sternly, and said to my father, drawing his thumbs across my eyebrows -'The deficiency is there, sir-there; and here,' he added, touching the upper sides of my head, 'here is the excess. That must be brought out, sir, and this must be laid to sleep.'I was in a state of tremor, partly at the vague idea that I was the object of reprobation, partly in the agitation of my first hatred - hatred of this big, spectacled man, who pulled my head about as if he wanted to buy and cheapen it. ("The Lifted Veil")

Like many people who dress in black, the lump of coal was interested in becoming an artist.

Fine art is the discipline of breaking rules.

But nowadays I feel guilty that I am granted the immunity of the artistically gifted, having never actually achieved anything to prove myself worthy.

If an artist is not only he who sings or paints, but he whow express himself by words or illustrations then I can consider myself as one.

I recount as this journey begins where I rest to gather the tale from thissame old house resting on the hill, leaving me a view of a carnival once seen from just across the tracks. My pallet is dry now. The colors I see no more. The rain has washed away many of the signs that once stood for a prosperhome and family. My grave is waiting. The dreams once filled my head withimages of world unison, hope and companionship for all. The saga spokenthrough my canvas drew darker as the years went on to the bitter cold nights.All that comes to me now are glimpses of faces that graced my soul.

I suppose I was artistic as a child. Our house was so full of art and artists that it never occurred to me not to be constantly making things. I just assumed that all kids liked to work with their hands as much as I did. I was an only child so I did have a lot of time to be creative by myself and with my parents.

No real excellence, personal or social, artistic, philosophical, scientific, or moral, can arise without solitude.

Where visual artists are concerned, the Baroque sculptor and architect Bernini and the painter and sculptor Picasso were clearly adept at both experiential and instrumental attending, says Tellegen, as is the modern architect Frank Gehry. Choosing a literary example, he says that F. Scott Fitzgerald once admitted to "wrapping one of his romantic flings in cellophane" for later artistic use and notes that "this kind of heartless but honest professionalism is not uncommon among creative people.

Thus the man who is responsive to artistic stimuli reacts to the reality of dreams as does the philosopher to the reality of existence; he observes closely, and he enjoys his observation: for it is out of these images that he interprets life, out of these processes that he trains himself for life.