anarchism

Traditionally, there have been two major strains of motivation (or perceived motivations) in anarchist politics: Duty and Joy. Like any duality, it is easy to fall into the trap of simplistic black and white labels, ignoring the more realistic continuum of grays. Instead, think of these two motivations as the end points on a continuum, illuminating everything in between.

The faithful of Shiva or Dionysus seek contact with those forces which...lead to a refusal of the politics, ambitions and limitations of ordinary social life. This does not involve simply a recognition of world harmony, but also an active participation in an experience which surpasses and upsets the order of material life.

When faced with unbridled wildness of reality, dinosaurs fall into fevered delusions of grandeur. In fits of madness, they recreate the world in their own overblown image, bull-dozing the wild and replacing it with a wasteland that reflects their own emptiness. Where there was once the incredibly complex diversity of nature, there is now the dead simplicity of asphalt and concrete.

There is no master cabal organizing the three-hundred plus Food Not Bombs or mad genius organizing the dozens of Indymedia's across the globe. We can all be the Johnny and Jane Appleseeds of anarchist counter-structure. We do this by harvesting good ideas and strategies from across the globe and replacing them on the local level. And while our passions and ideas should be brash, we should also be inspired by our day-to-day victories. People need to feel encouraged to start small, realizing the infrastructure begets infrastructure.

The authorities don't grant concessions out of the kindness of their hearts; they simply concede the reality of what their subjects are strong enough to compel from them. If you want political leverage, don't beg for it, don't seek it through their channels - take power outside them.

For over a century and a half, anarchists have been arguing that coercive, hierarchical organization (as embodied in government and corporations) is not equivalent to organization per se (which they regard as necessary), and that coercive organization should be replaced by decentralized, nonhierarchical organization based on voluntary cooperation and mutual aid. This is hardly a rejection of organization.

Love is it's own protection.

Anarchism is not chaos; Anarchism is not rejection of organization. This is another popular misconception, repeated ad nauseam by the corporate media and by anarchism's political foes, especially Marxists (who sometimes know better).

To most anarchists, the advocacy of freedom on Earth while bowing to a heavenly tyrant (no matter how imaginary) seems an insupportable contradiction.

If anarchy is chaos, and chaos is war, why wasn't a single war started by anarchists?

The contention that a standing army and navy is the best security of peace is about as logical as the claim that the most peaceful citizen is he who goes about heavily armed.

At one time in the world there were woods that no one owned

And yet we have what purports, or professes, or is claimed, to be a contract__he Constitution__ade eighty years ago, by men who are now all dead, and who never had any power to bind us, but which (it is claimed) has nevertheless bound three generations of men, consisting of many millions, and which (it is claimed) will be binding upon all the millions that are to come; but which nobody ever signed, sealed, delivered, witnessed, or acknowledged; and which few persons, compared with the whole number that are claimed to be bound by it, have ever read, or even seen, or ever will read, or see.

Your pretty empire took so long to build, now, with a snap of history's fingers, down it goes.

The real enemy" is the totality of physical and mental constraints by which capital, or class society, or statism, or the society of the spectacle expropriates everyday life, the time of our lives. The real enemy is not an object apart from life. It is the organization of life by powers detached from it and turned against it. The apparatus, not its personnel, is the real enemy. But it is by and through the apparatchiks and everyone else participating in the system that domination and deception are made manifest. The totality is the organization of all against each and each against all. It includes all the policemen, all the social workers, all the office workers, all the nuns, all the op-ed columnists, all the drug kingpins from Medellin to Upjohn, all the syndicalists and all the situationists.

Dalin must have whiffed the anarch in me, a man with no ties to state or society. Still, he was unable to sense an autonomy that puts up with these forces as objective facts but without recognizing them. What he lacked was a grounding in history.Opposition is collaboration; this was something from which Dalin, without realizing it, could not stay free. Basically, he damaged order less than he confirmed it. The emergence of the anarchic nihilist is like a goad that convinces society of its unity.The anarch, in contrast, not only recognizes society a priori as imperfect, he actually acknowledges it with that limitation. He is more or less repulsed by state and society, yet there are times and places in which the invisible harmony shimmers through the visible harmony. This is obviously chiefly in the work of art. In that case, one serves joyfully.But the anarchic nihilist thinks the exact opposite. The Temple of Artemis, to cite an example, would inspire him to commit arson. The anarch, however, would have no qualms about entering the temple in order to meditate and to participate with an offering. This is possible in any temple worthy of the name.

You are what you do. If you do boring, stupid monotonous work, chances are you'll end up boring, stupid and monotonous. Work is a much better explanation for the creeping cretinization all around us than even such significant moronizing mechanisms as television and education.

Provided we can escape from the museums we carry around inside us, provided we can stop selling ourselves tickets to the galleries in our own skulls, we can begin to contemplate an art which re-creates the goal of the sorcerer: changing the structure of reality by the manipulation of living symbols ... Art tells gorgeous lies that come true.