acting

[on Martin Freeman playing Bilbo Baggins] It was great. I got to hang out with him, and I kept a straight face for a bit and then I started giggling because I know Martin, I don't know Bilbo. For Martin to be sitting there playing Bilbo is amazing. He's going to be amazing, he's going to be fantastic in this film.

An actor is just a part of a movie, but director - he is the movie.

Acting is illusion, as much illusion as magic is, and not so much a matter of being real.

We gotta be willing to let it hurt. You know, all this notion that acting is __eah it__ pretend_ and yes we enjoy it and yeah we can have a good time with it. But if you wanna LAND, you wanna make an impact, you want those FUCKERS TO REMEMBER YOU! Then you have to let it hurt sometimes. You gotta get there because that__ all an audience ever wants. Is for you to open up your chest and show them that you have a fucking heart. That__ all we want. A heart. A human being. Not an affectation.

Nothing unusual was noted during the voyage, in fact everything ran smoothly until Security alerted Biscay about the stiff in cabin 407. Nobody heard or saw anything suspicious. None of the passengers were missing or acting suspiciously. No airlock doors were opened or any transports allowed since their last stop four days prior. There were no notorious names on the passenger list, nor any unsavory persons among the ranks of his crew. In fact, the ship__ commander had never even seen a dead body in real _ um, life before. And yet, almost magically, there it was.

I know my career is going badly because I'm being quoted correctly.

It seemed that I performed better sober than drunk. Who knew?

I've learned to get really good at this - say one thing when I'm thinking about something else, act like I'm listening when I'm not, pretend to be calm and happy when I'm really freaking out. It's one of the skills you perfect as you get older

I don't understand', I say,'why they care what I think, as long as I'm acting how they want me to.''You're acting how they want you to now', he says,'but what happens when your Abnegation-wired brain tells you to do something else, something they don't want?

[the only acting advice he would give] What is acting but lying and what is good lying but convincing lying?

The further you get away from yourself, the more challenging it is. Not to be in your comfort zone is great fun.

It's a big spooky place when you're in it alone. It's like you can hear all the whispers of all the voices of all the actors who ever played here. Kind of creepy. Like a church can be creepy when it's empty. You ever been in a church after hours?

... so this is for us.This is for us who sing, write, dance, act, study, run and loveand this is for doing it even if no one will ever knowbecause the beauty is in the act of doing it.Not what it can lead to.This is for the times I lose myself while writing, singing, playingand no one is around and they will never knowbut I will forever rememberand that shines brighter than any praise or fame or glory I will ever have,and this is for you who write or play or read or singby yourself with the light off and door closedwhen the world is asleep and the stars are alignedand maybe no one will ever hear itor read your wordsor know your thoughtsbut it doesn__ make it less glorious.It makes it ethereal. Mysterious.Infinite.For it belongs to you and whatever God or spirit you believe inand only you can decide how much it meantand meansand will forever meanand other people will experience it toothrough you.Through your spirit. Through the way you talk.Through the way you walk and love and laugh and careand I never meant to write this longbut what I want to say is:Don__ try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourselfand let your very existence be your song, your poem, your story.Let your very identity be your book.Let the way people say your name sound like the sweetest melody.So go create. Take photographs in the wood, run alone in the rain and sing your heart out high up on a mountainwhere no one will ever hearand your very existence will be the most hypnotising scar.Make your life be your artand you will never be forgotten.

There was so much to learn and it was all fun. But the best part was getting a laugh from an audience. That was like drowning in candy.

I had a dream about you. We were actors in a horror movie and I was hunting you down with a knife. When I finally cornered you the director yelled "Cut".... What? I can't be blamed for following instructions.

Her friend - and her partner on the stage. You will not believe me, but making love to Kitty - a thing done in passion, but always, too, in shadow and silence, and with an ear half-cocked for the sound of footsteps on the stairs - making love to Kitty and posing at her side in a shaft of limelight, before a thousand pairs of eyes, to a script I knew by heart, in an attitude I had laboured for hours to perfect - these things were not so very different. A double act is always twice the act that the audience thinks it; beyond our songs, our steps, our bits of business with coins and canes and flowers, there was a private language, in which we held an endless, delicate exchange of which the crowd knew nothing. This was a language not of the tongue but of the body, its vocabulary the pressure of a finger or a palm, the nudging of a hip, the holding or breaking of a gaze, that said, You are too slow - you got too fast - not there but here - that's good - that's better! It was as if we walked before the crimson curtain, lay down upon the boards and kissed and fondled - and were clapped, and cheered, and paid for it!

He was cut from the scene like a case of the runs from a can-can routine.

Every actor in his heart believes everything bad that's printed about him.