Inside, there was a bed, and upon the bed there was a woman. More beautiful was she even than the damask rose while her scent, drifting through the open window, was that of the night dew. Her hair was silken as the raven's wing. Quite naked, she lay, so still upon the bed, her eyes closed in reverie.The young man looked first upon her breasts, where her hand rested. And upon each breast, there was a rosebud nipple. Upon each nipple there was a tip most tender. Upon each tip there was a milky drop. Chin lifted, lips parted, she milked her maiden breast.'What I would give to suckle at that teat,' thought he. from 'Against Faithlessness' in Cautionary Tales
We tend to think of the erotic as an easy, tantalizing sexual arousal. I speak of the erotic as the deepest life force, a force which moves us toward living in a fundamental way.
Quote Detail
We tend to think of the erotic as an easy, tantalizing sexual arousal. I speak of the erotic as the deepest life force, a force which moves us toward living in a fundamental way.
Quick Answer
What this quote page tells you
This canonical quote page keeps the full saying, the attributed author, any linked work, and the topic tags together so the quote can be cited from one stable URL.
Related Quotes
More quote cards from the same area
Force is incomplete and therefore has to be fed energy constantly. Power is total and complete in itself and requires nothing from outside.
After all, it isn't the facts of one's environment, but one's attitude toward them, that determines whether one will be defeated or victorious.
The here and the beyond are enough, but there were a few angels for whom it was not enough: who demanded a third dimension--who sought fusions, communes, who ate each other and created sex.
Perceptual fields are limited by the attractor patterns that they're associated with. This means that the capacity to recognize significant factors in a given situation is limited by the context that arises from the level of consciousness of the observer. The motive of the viewer automatically determines what is seen; causality is, therefore, ascribed to factors that are, in fact, a function of the biases of the observer and aren't at all instrumental in the situation itself.
Can I kiss you?_ And she would let him, lightly on her lips, a moment of brief anticipation. __our kisses are like sugar woman._ He would tell her affectionately. __o sweet._ He would close in on her and then ask softly, __lease spend the night with me.