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One of the things that Dostoevsky talks about is that no character is too high to fall and no character is too low to be redeemed. 'Crime and Punishment' began with a person going out and consciously becoming a cold-blooded murderer, and it took 800 pages and an epilogue before the person finally asked for forgiveness.
Jeffrey Bell
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One of the things that Dostoevsky talks about is that no character is too high to fall and no character is too low to be redeemed. 'Crime and Punishment' began with a person going out and consciously becoming a cold-blooded murderer, and it took 800 pages and an epilogue before the person finally asked for forgiveness.

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And in the echo of that gladness, horror blooms within me. In its own strange way, it's a horror as deep as any I've experienced so far. I've succeeded in taking another human hostage, in making him urinate on himself. I made a plan to torture someone, and then I carried it out, and it satisfied me to do so. As much hurt and hell as the Wolfman has caused, I don't want to be his judge and jury, his jailer and tormentor. I don't want to be that person. I want to be good. I don't want to fall into a big, black pit of darkness, because what if I can't get out?