The creative process is a cocktail of instinct, skill, culture and a highly creative feverishness. It is not like a drug; it is a particular state when everything happens very quickly, a mixture of consciousness and unconsciousness, of fear and pleasure, it's a little like making love, the physical act of love.

He conveyed a strange impression of being in safety, and completely secure. He had a courteous little manner with him, and smiled and nodded, as I pointed out the hills and the tall trees to him, as if he were interested in everything, and incapable of surprise at anything. I wondered if this consistency was produced by an entire ignorance of the evil of the world, or by a deep knowledge and acceptance of it.

If a culture is good or evil, it is only because of its carriers.

Evil is ancient, unchanging, and with us always. The more postmodern the West becomes _ affluent, leisured, nursed on moral equivalence, utopian pacifism, and multicultural relativism _ the more premodern the evil among us seems to arise in nihilistic response.

Being well known for being well-known did not necessarily imply intelligence.

Ay, that I had not done a thousand more.Even now I curse the day__nd yet, I think,Few come within the compass of my curse,__herein I did not some notorious ill,As kill a man, or else devise his death,Ravish a maid, or plot the way to do it,Accuse some innocent and forswear myself,Set deadly enmity between two friends,Make poor men's cattle break their necks;Set fire on barns and hay-stacks in the night,And bid the owners quench them with their tears.Oft have I digg'd up dead men from their graves,And set them upright at their dear friends' doors,Even when their sorrows almost were forgot;And on their skins, as on the bark of trees,Have with my knife carved in Roman letters,'Let not your sorrow die, though I am dead.'Tut, I have done a thousand dreadful thingsAs willingly as one would kill a fly,And nothing grieves me heartily indeedBut that I cannot do ten thousand more.