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Look back upon winter with gratitude. Spring is the harvest of the darker months__verything you know starts to grow in darkness. Don't write and tell me that winter brought you only colds or the ubiquitous virus. Perhaps it did bring those (and to me as well). Who goes through the chilly months unscathed? But it also brought things not to be forgotten__ilver moons and snow, brilliant under stars; it brought Christmas and a new year, and to each of us something happy, something unexpected, which was not another problem but a joy. For the pendulum swings; nothing is static; and the road, however long, does turn.
Faith Baldwin Harvest of Hope
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Look back upon winter with gratitude. Spring is the harvest of the darker months__verything you know starts to grow in darkness. Don't write and tell me that winter brought you only colds or the ubiquitous virus. Perhaps it did bring those (and to me as well). Who goes through the chilly months unscathed? But it also brought things not to be forgotten__ilver moons and snow, brilliant under stars; it brought Christmas and a new year, and to each of us something happy, something unexpected, which was not another problem but a joy. For the pendulum swings; nothing is static; and the road, however long, does turn.
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Faith Baldwin

Harvest of Hope

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The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.

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