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People beleived that the most devastating part of a war are the corpses with their guts out in the open, the puddles of blood, and all that you can capture at first glance. But sometimes the horror is off to the side, in the lost look on the face of a woman who's just been raped, as she limps away alone within the ruins, trying to keep her head down. Gerda and Capa were not aware of this yet. They were too young. And that was their first conflict. They still believed war had its romantic side.
Susana Fortes
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People beleived that the most devastating part of a war are the corpses with their guts out in the open, the puddles of blood, and all that you can capture at first glance. But sometimes the horror is off to the side, in the lost look on the face of a woman who's just been raped, as she limps away alone within the ruins, trying to keep her head down. Gerda and Capa were not aware of this yet. They were too young. And that was their first conflict. They still believed war had its romantic side.

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There, conspicuous in the light of the conflagration, lay the dead body of a woman__he white face turned upward, the hands thrown out and clutched full of grass, the clothing deranged, the long dark hair in tangles and full of clotted blood. The greater part of the forehead was torn away, and from the jagged hole the brain protruded, overflowing the temple, a frothy mass of gray, crowned with clusters of crimson bubbles__he work of a shell.The child moved his little hands, making wild, uncertain gestures. He uttered a series of inarticulate and indescribable cries__omething between the chattering of an ape and the gobbling of a turkey__ startling, soulless, unholy sound, the language of a devil. The child was a deaf mute.Then he stood motionless, with quivering lips, looking down upon the wreck.