The Harvester was the rustling of autumn leaves, there one minute, gone the next.
The World Series is played in my doubtless too-nostalgic imagination in some kind of autumn afternoon light, and seeing it exclusively in the bitter chill of midnight breaks the spell of even the best of games.
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The World Series is played in my doubtless too-nostalgic imagination in some kind of autumn afternoon light, and seeing it exclusively in the bitter chill of midnight breaks the spell of even the best of games.
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Up then, fair phoenix bride, frustrate the sun;Thyself from thine affectionTakest warmth enough, and from thine eyeAll lesser birds will take their jollity.Up, up, fair bride, and callThy stars from out their several boxes, takeThy rubies, pearls, and diamonds forth, and makeThyself a constellation of them all;And by their blazing signifyThat a great princess falls, but doth not die.Be thou a new star, that to us portendsEnds of much wonder; and be thou those ends.
The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.
Be your best company.