I'm sure that the book is incrediable, phenomenal and so on and so on going in positive direction... But the film wasn't made well (I'm talking about NeedFul Things by Stephen King), the effects weren't good, some scenes were missed, for example I'm very curiouis how does the guy kills his wife with the harmer... The scene reminds me for Shining, but Unfortunately in the Shining there were more possibilities to be saw this scene, than in this film... If some disadvantages will be fixed, then I'm sure that the film will be pretty interesting, however to don't forget about the quality!

It was not a noisy wind but the kind that suggests something very big and thin fresh from the horror of Infinite Space.

I am, like you, travelling along a road of absolute uncertainty and chaos. The only truth is that one day, we will all reach the end.

Consciousness is the awareness that emerges out of the dialectical tension between possibilities and limitations.

To speak conventionally - and I think it is easier for the general reader to see Zen thus presented - there are unknown recesses in our minds which lie beyond the threshold of the relatively constructed consciousness. To designate them as __ub-conciousness_ or __upra-consciousness_ is not correct. The word __eyond_ is used simply because it is a most convenient term to indicate their whereabouts. But as a matter of fact there is no __eyond_, no __nderneath_, no __pon_ in our consciousness. The mind is one indivisible whole and cannot be torn in pieces. The so-called terra incognita is the concession of Zen to our ordinary way of talking, because whatever field of consciousness that is known to us is generally filled with conceptual riffraff, and to get rid of them, which is absolutely necessary for maturing Zen experience, the Zen psychologist sometimes points to the presence of some inaccessible region in our minds. Though in actuality there is no such region apart from our everyday consciousness, we talk of it as generally more easily comprehensible by us.

A typical Celestine will devote a large proportion of their time to passing through the inscribed sectors of the planet studying the writings, either alone or accompanied by companions with whom to share comments. This is a favourite pastime among them, and as they travel towards the boundaries of the inscribed regions they can watch the ongoing work of those Celestines that have been chosen to record their ideas _ tirelessly twisting, pausing to gather energy, then exerting themselves again; painstakingly working the same patch of dust several thousand times over to shape each individual furrow; to capture, symbol by symbol, the knowledge they have contributed to the Celestine corpus. There is great pride and precision, as well as immense labour, in their toil. Before they commence work, the piece of ground that will house the writing will be chosen very carefully for its aspect. Then, the most favourable angle to the light will be calculated, for the orientation of the wording. The language used is of the most poetic and grandiose sort, quite different from the vernacular, and the symbols themselves are embellished with flourishes, extravagances and curlicues that are unique to the creator. Celestines love to observe this work, which constitutes the pinnacle of their art and of their ceaseless thought-endeavours, and embodies their very reason for being.