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Hersey was describing for the first time the war's true legacy: a permanent condition of helpless anger and universal dread. Hiroshima was the end of the line for the archaic idea that war was something that soldiers did on battlefields, somewhere on the far side of the horizon. The great strategic breakthrough of the war had been the targeting of civilian populations with weapons of mass destruction -- so that for the first time in history everybody, soldier and civilian alike, could share equally in the horror of battle. Now the postwar world was elevating this principle, making it the organizing fact of existence. After Hiroshima, Armageddon could erupt anytime, anywhere on earth, without warning, by accident. Even as people walked heedlessly in the streets, the bombs could be spiraling down from an invisible plane passing in the stratosphere; at dinnertime in the heartland, as the local news droned on about the Middle East, the missiles could already be arching over the north pole, like the ribs of a strange new cathedral.
Lee Sandlin
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Hersey was describing for the first time the war's true legacy: a permanent condition of helpless anger and universal dread. Hiroshima was the end of the line for the archaic idea that war was something that soldiers did on battlefields, somewhere on the far side of the horizon. The great strategic breakthrough of the war had been the targeting of civilian populations with weapons of mass destruction -- so that for the first time in history everybody, soldier and civilian alike, could share equally in the horror of battle. Now the postwar world was elevating this principle, making it the organizing fact of existence. After Hiroshima, Armageddon could erupt anytime, anywhere on earth, without warning, by accident. Even as people walked heedlessly in the streets, the bombs could be spiraling down from an invisible plane passing in the stratosphere; at dinnertime in the heartland, as the local news droned on about the Middle East, the missiles could already be arching over the north pole, like the ribs of a strange new cathedral.

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There, conspicuous in the light of the conflagration, lay the dead body of a woman__he white face turned upward, the hands thrown out and clutched full of grass, the clothing deranged, the long dark hair in tangles and full of clotted blood. The greater part of the forehead was torn away, and from the jagged hole the brain protruded, overflowing the temple, a frothy mass of gray, crowned with clusters of crimson bubbles__he work of a shell.The child moved his little hands, making wild, uncertain gestures. He uttered a series of inarticulate and indescribable cries__omething between the chattering of an ape and the gobbling of a turkey__ startling, soulless, unholy sound, the language of a devil. The child was a deaf mute.Then he stood motionless, with quivering lips, looking down upon the wreck.