An action, to have moral worth, must be done from duty.

Of two duties we must choose the greater, though of two sins we must choose neither (556).

. . . is it better to throw yourself head first and laughing into the holy rage calling your name?

There is a sacred duty, which you are divinely gifted to performed.

So what's the point, then, if we can't be happy? Why are we doing any of this?""Oh, there's definitely happiness," Jack said, turning his back on the ocean and looking at her. "But it's just about moments, not ever-afters." He grinned. "Like when you're right in the middle of the ocean with your friends, with no one trying to kill you in any kind of horrifying way. You have to appreciate these moments when they happen, 'cause obviously we don't get many of them.

The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.