The creative process is a cocktail of instinct, skill, culture and a highly creative feverishness. It is not like a drug; it is a particular state when everything happens very quickly, a mixture of consciousness and unconsciousness, of fear and pleasure, it's a little like making love, the physical act of love.
How vigilant we must be to ensure that we don__ allow our impression of Jesus to be held captive by the prevailing mores of our secular culture! Rather, it is essential that we continue to return to the Gospels to ensure that the reverse occurs: to allow Jesus to hold our hearts and imaginations captive in response to the dominant thinking of our time. For exiles trying to live faithfully within the host empire of post-Christendom, the Gospel stories are our most dangerous memories. They continue to fire our imaginations and remind us that it__ possible to thrive on foreign soil while serving Yahweh, but it__ the kind of thriving that often rejects popular wisdom. These stories are the standard by which we judge all other stories, all other descriptors of life today. If, after reading these dangerous biblical stories, you can__ imagine Jesus the Messiah as a televangelist, strutting around on stage in a flashy suit, playing it up for the cameras, then you are forced to reject this image and seek another mode of being Christ today.
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How vigilant we must be to ensure that we don__ allow our impression of Jesus to be held captive by the prevailing mores of our secular culture! Rather, it is essential that we continue to return to the Gospels to ensure that the reverse occurs: to allow Jesus to hold our hearts and imaginations captive in response to the dominant thinking of our time. For exiles trying to live faithfully within the host empire of post-Christendom, the Gospel stories are our most dangerous memories. They continue to fire our imaginations and remind us that it__ possible to thrive on foreign soil while serving Yahweh, but it__ the kind of thriving that often rejects popular wisdom. These stories are the standard by which we judge all other stories, all other descriptors of life today. If, after reading these dangerous biblical stories, you can__ imagine Jesus the Messiah as a televangelist, strutting around on stage in a flashy suit, playing it up for the cameras, then you are forced to reject this image and seek another mode of being Christ today.
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The Rochester group [of VOTF], however, was met with some concern as they found it hard to believe my account as it unfolded before them. I feel that some people have a hard time with the truths around us, not only the sexual abuse by priests, but all bad things. I call it chosen ignorance. This modified form of ignorance is found in people who, if confronted with certain truths realize that they have to accept them and thereby acknowledge evil, and that scares them. Opening up and letting the truth in might knock them off their perceived center. It is too hard, period."(VOTF - Voice of the Faithful - a Catholic group that wants to change the Church, keep the faith.)
The most evil institution in the world is the Roman Catholic Church.
If a culture is good or evil, it is only because of its carriers.
Evil is ancient, unchanging, and with us always. The more postmodern the West becomes _ affluent, leisured, nursed on moral equivalence, utopian pacifism, and multicultural relativism _ the more premodern the evil among us seems to arise in nihilistic response.
Christianity now is in crisis, and a large part because people have marketed it as a religion of good people getting better, when in fact it is religion a bad people coping with their failure to be good.