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But...what makes you Nathan--what makes you so special--is that you are both White Witch and Black Witch, both dark and full of light. That's what I love about you. What I've always loved. And I love you still, Nathan, and I know I always will. But you're changing. And now...now what I fear is that you'll get the amulet and you'll hone the Gifts you took from your father. You'll be invulnerable and you'll kill more people, many, many more people. I fear you won't be able to stop and you'll lose yourself completely. And then I'll come to dread you too.
Sally Green Half Lost
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But...what makes you Nathan--what makes you so special--is that you are both White Witch and Black Witch, both dark and full of light. That's what I love about you. What I've always loved. And I love you still, Nathan, and I know I always will. But you're changing. And now...now what I fear is that you'll get the amulet and you'll hone the Gifts you took from your father. You'll be invulnerable and you'll kill more people, many, many more people. I fear you won't be able to stop and you'll lose yourself completely. And then I'll come to dread you too.

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Typically, images or paintings are designated as anamorphic when, in order for the image to appear, a particular line of sight must be adopted. The image only shows up when approached from the angle dictated to the viewer by the image's own set of conditions. In this sense, the viewer must 're-form' their perspective to match the perspective demanded by the image. We are not free to approach the image as we wish; the image is free to assign us a perspective proper to itself... Anamorphosis, then, describes the freedom of the phenomenon to give itself as it wishes and it measures the extent to which this freedom turns the tables on the one to whom it appears. To receive a phenomenon as it wishes to give itself is to yield control and suspend our own timetables and preconditions in order to be faithful to the conditions set by what gives itself.

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