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Once and for allthe idea of glorious victorieswon by the glorious armymust be wiped outNeither side is gloriousOn either side they're just frightened men messing their pantsand they all want the same thingNot to lie under the earthbut to walk upon itwithout crutches(Roux, act 1, scene 19)
Peter Weiss The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade
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Once and for allthe idea of glorious victorieswon by the glorious armymust be wiped outNeither side is gloriousOn either side they're just frightened men messing their pantsand they all want the same thingNot to lie under the earthbut to walk upon itwithout crutches(Roux, act 1, scene 19)
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Peter Weiss

The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade

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There, conspicuous in the light of the conflagration, lay the dead body of a woman__he white face turned upward, the hands thrown out and clutched full of grass, the clothing deranged, the long dark hair in tangles and full of clotted blood. The greater part of the forehead was torn away, and from the jagged hole the brain protruded, overflowing the temple, a frothy mass of gray, crowned with clusters of crimson bubbles__he work of a shell.The child moved his little hands, making wild, uncertain gestures. He uttered a series of inarticulate and indescribable cries__omething between the chattering of an ape and the gobbling of a turkey__ startling, soulless, unholy sound, the language of a devil. The child was a deaf mute.Then he stood motionless, with quivering lips, looking down upon the wreck.