Was it possible to feel nostalgic about something that had never happened to him, possible for nostalgia to be taken in by the body as a free pathogen to infect the consciousness with stray sentiments? Perhaps, in his dreams, he had traveled back in time, or even drifted into another dimension of space-time and inhabited the body, experiences, and nostalgia of another. To even envisage so allowed the trauma of those lost moments, though not his own, to draw from him a certain envy for the entity in whose memories he had basked vicariously. . .Perhaps, nostalgia was a microorganism. . .the bacterium that infected. . . Yes. . .maybe he was sick.
All the best days start with a latte and a time trip.
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All the best days start with a latte and a time trip.
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Spring time is a time for new adventure.
They were learning that New York had another life, too _ subterranean, like almost everything that was human in the city _ a life of writers meeting in restaurants at lunchtime or in coffee houses after business hours to talk of work just started or magazines unpublished, and even to lay modest plans for the future. Modestly they were beginning to write poems worth the trouble of reading to their friends over coffee cups. Modestly they were rebelling once more.
The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.