There, conspicuous in the light of the conflagration, lay the dead body of a woman__he white face turned upward, the hands thrown out and clutched full of grass, the clothing deranged, the long dark hair in tangles and full of clotted blood. The greater part of the forehead was torn away, and from the jagged hole the brain protruded, overflowing the temple, a frothy mass of gray, crowned with clusters of crimson bubbles__he work of a shell.The child moved his little hands, making wild, uncertain gestures. He uttered a series of inarticulate and indescribable cries__omething between the chattering of an ape and the gobbling of a turkey__ startling, soulless, unholy sound, the language of a devil. The child was a deaf mute.Then he stood motionless, with quivering lips, looking down upon the wreck.
We come into this world through women: a woman who is spent, broken open, in awe. No wonder women have been worshiped ever since men first saw the crowning of a head, here, legs spread, a brushstroke of light. We are fire. We are water. We are earth. We are air. We are all things elemental. The world begins with "Yes,"Changing women: we begin again like the moon. We can no longer deny the destiny that is ours by becoming women who wait: waiting to love, waiting to speak, waiting to act. This is not patience, but pathology. We are sensual, sexual beings, intrinsically bound to both heaven and earth, our bodies a hologram. In our withholding of power, we abrogate power, and that creates war. The Australian poet Judith Wright says, "Our dream was the wrong dream, our strength was the wrong strength. Wounded, we cross the desert's emptiness and must be false to what would make us whole.
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We come into this world through women: a woman who is spent, broken open, in awe. No wonder women have been worshiped ever since men first saw the crowning of a head, here, legs spread, a brushstroke of light. We are fire. We are water. We are earth. We are air. We are all things elemental. The world begins with "Yes,"Changing women: we begin again like the moon. We can no longer deny the destiny that is ours by becoming women who wait: waiting to love, waiting to speak, waiting to act. This is not patience, but pathology. We are sensual, sexual beings, intrinsically bound to both heaven and earth, our bodies a hologram. In our withholding of power, we abrogate power, and that creates war. The Australian poet Judith Wright says, "Our dream was the wrong dream, our strength was the wrong strength. Wounded, we cross the desert's emptiness and must be false to what would make us whole.
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Value your parabatai," he said. "For it is a precious bond. All love is precious. It is why we do what we do. Why do we fight demons? Why are they not fit custodians of this world? What makes us better? It is because they do not build, but destroy. They do not love, but hate only. We are human and fallible, we Shadowhunters. But if we did not have the capability to love, we could not guard humans; we must love to guard them. My parabatai, he loved like few ever could love, with all and everything. I see you are like that too; it burns more brightly in you than the fire of Heaven
The degree of freedom we enjoy outwardly is a reflection of the degree of love we cultivate inwardly.
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Force is incomplete and therefore has to be fed energy constantly. Power is total and complete in itself and requires nothing from outside.
After all, it isn't the facts of one's environment, but one's attitude toward them, that determines whether one will be defeated or victorious.