YM

Author

Yukio Mishima

/yukio-mishima-quotes-and-sayings

58 Quotes
13 Works

Author Summary

About Yukio Mishima on QuoteMust

Yukio Mishima currently has 58 indexed quotes and 13 linked works on QuoteMust. This page is the canonical destination for that author archive.

Works

Books and titles linked to this author

Acts of Worship: Seven Stories After the Banquet Confessions of a Mask Death in Midsummer and Other Stories Forbidden Colors Patriotism Runaway Horses Spring Snow Sun and Steel The Sailor Who Fell from Grace with the Sea The Temple of Dawn The Temple of the Golden Pavilion Thirst for Love

Quotes

All quote cards for Yukio Mishima

"

The blossoms seem unusually lovely this year. There were none of the scarlet-and-white-striped curtains that are set up among the blossoming trees so invariably that one has to come to think of them as the attire of cherry blossoms; there were no bustling tea-stalls, no holiday crowds of flower-viewers, no one hawking balloons and toy windmills; instead there were only the cherry trees blossoming undisturbed among the evergreens, making one feel as though he were seeing the naked bodies of the blossoms. Nature's free bounty and useless extravagance had never appeared so fantastically beautiful as it did this spring. I had an uncomfortable suspicion that Nature had come to reconquer the earth for herself.

YM
Yukio Mishima

Confessions of a Mask

"

A feeling of liberation should contain a bracing feeling of negation, in which liberation itself is not negated. In the moment a captive lion steps out of his cage, he possesses a wider world than the lion who has known only the wilds. While he was in captivity, there were only two worlds to him; the world of the cage, and the world outside the cage. Now he is free. He roars. He attacks people. He eats them. yet he is not satisfied, for there is no third world that is neither the world of the cage nor the world outside the cage. Etsuko however, had in her heart not the slightest interest in these matters. Her soul knew nothing but affirmation.

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So young and so lethargic! As though he had been born to sit and stare like this. Ever since Kiyoaki had confided in him, Shigekuni, who would have been bright and confident, as befitted such an able young man, had undergone a change. Or rather, the friendship between him and Kiyoaki had undergone a strange reversal. For years, each of them had been extremely careful to intrude in no way on the personal life of the other. But now, just three days before, Kiyoaki had suddenly come to him and, like a newly cured patient transmitting his disease to someone else, had passed on to his friend the virus of introspection. It had taken hold so readily that Honda's disposition now seemed a far better host to it than Kiyoaki's. The first major symptom of the disease was a vague sense of apprehension.

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Suddenly the full long wail of a ship's horn surged through the open window and flooded the dim room - a cry of boundless, dark, demanding grief; pitch-black and glabrous as a whale's back and burdened with all the passions of the tides, the memory of voyages beyond counting, the joys, the humiliations: the sea was screaming. Full of the glitter and the frenzy of night, the horn thundered in, conveying from the distant offing, from the dead center of the sea, a thirst for the dark nectar in the little room.

YM
Yukio Mishima

The Sailor Who Fell from Grace with the Sea

"

To see human beings in agony, to see them covered in blood and to hear their death groans, makes people humble. It makes their spirits delicate, bright, peaceful. It's never at such times that we become cruel or bloodthirsty. No, it's on a beautiful spring afternoon like this that people suddenly become cruel. It's at a moment like this, don't you think, while one's vaguely watching the sun as it peeps through the leaves of the trees above a well-mown lawn? Every possible nightmare in the world, every possible nightmare in history, has come into being like this.

YM
Yukio Mishima

The Temple of the Golden Pavilion

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To be strong and true had been the most important task he had set himself since early childhood.Once, as a boy, he had tried to outstare the sun. But before he could tell whether he had really looked at it or not, changes had occurred: the blazing red ball that had been there at first began to whirl, then suddenly dimmed, till it became a cold, bluish-black, flattened disk of iron. He felt he had seen the very essence of the sun.... For a while, wherever he looked he saw the sun's pale afterimage: in the undergrowth; in the shade beneath the trees; even, when he gazed up, in every part of the sky. The truth was something too dazzling to be looked at directly. And yet, once it had come into one's field of vision, one saw patches of light in all kinds of places: the afterimages of virtue.

YM
Yukio Mishima

Acts of Worship: Seven Stories