Pat Conroy

In our modern age, there are writers who have heaped scorn on the very idea of the primacy of story. I'd rather warm my hands on a sunlit ice floe than try to coax fire from the books they carve from glaciers.

I had declared in public my desire to be a writer ... I wanted to develop a curiosity that was oceanic and insatiable as well as a desire to learn and use every word in the English language that didn't sound pretentious or ditzy.

A man's only got so many yeses inside him before he uses them all up.

Here's what I want from a book, what I demand, what I pray for when I take up a novel and begin to read the first sentence: I want everything and nothing less, the full measure of a writer's heart. I want a novel so poetic that I do not have to turn to the standby anthologies of poetry to satisfy that itch for music, for perfection and economy of phrasing, for exactness of tone. Then, too, I want a book so filled with story and character that I read page after page without thinking of food or drink because a writer has possessed me, crazed with an unappeasable thirst to know what happens next.

Good writing is the hardest form of thinking. It involves the agony of turning profoundly difficult thoughts into lucid form, then forcing them into the tight-fitting uniform of language, making them visible and clear. If the writing is good, then the result seems effortless and inevitable. But when you want to say something life-changing or ineffable in a single sentence, you face both the limitations of the sentence itself and the extent of your own talent.

I prayed hard and only gradually became aware that this fierce praying was a way of finding prologue and entrance into my own writing. This came as both astonishment and relief. When I thought God had abandoned me, I discovered that He had simply given me a different voice to praise the inexhaustible beauty of the made world.

Do you think that Hemingway knew he was a writer at twenty years old? No, he did not. Or Fitzgerald, or Wolfe. This is a difficult concept to grasp. Hemingway didn't know he was Ernest Hemingway when he was a young man. Faulkner didn't know he was William Faulkner. But they had to take the first step. They had to call themselves writers. That is the first revolutionary act a writer has to make. It takes courage. But it's necessary

Without music life is a journey through a desert.

As time passed from solstice to mild solstice in those occluded zones of my early childhood, I played beneath the distracted majesty of my mother's blue-eyed gaze. With her eyes on me I felt as if I were being studied by flowers.

Before I met the Jesuits, I__ never encountered another group who thought that intellect and arrogance were treasures beyond price and necessities in waging wars against blasphemers, heretics.

The narrator analyzes that the maturing, passing away boy within him, "had issued me a challenge as he passed the baton to the man in me: He had challenged me to have the courage to become a gentle, harmless man.

Conroy writes that, while part of him was following the basketball game from the bench, "the other part, an embassy of a completely sovereign nation, would fling its doors open to the most authentic part of me.

If not for sports, I do not think my father would have ever talked to me.

Basketball allowed me to revere my father without him knowing what I was up to. I took up basketball as a form of homage and mimicry.

When we cuss each other out, call each other the vilest names on earth, and put each other down with thoughtless cruelty, it is the only way we know and the only language we have to express our ardent love for each other.

In sport the mind serves as the acolyte and apprentice of the body. Nothing interferes with the flow of the game more than the athlete who obsesses about his every move on the court. You move, you react, you recover, you drive, and the thinking is seamless and invisible in the secret codes of your game.

I bet they love those games on Friday night more than they do segregation.

We old athletes carry the disfigurements and markings of contests remembered only by us and no one else. Nothing is more lost than a forgotten game.