Milan Kundera

...because love is continual interrogation. I don't know of a better definition of love.(in that case my friend Hubl would have pointe out to me, no one loves us more than the police. That's true. Just as every height has its symmetrical depth, so love's interest has ts negative the police's curiosity. We sometimes confuse depth with height, and I can easily imagine lonely people hoping to be taken to the police station from time to time for an interrogation that will enable to talk about themselves.)

[Large countries'] patriotism is different: they are buoyed by their glory, their importance, their universal mission. The Czechs loved their country not because it was glorious but because it was unknown; not because it was big but because it was small and in constant danger. Their patriotism was an enormous compassion for their country.

The characters in my novels are my own unrealised possibilities. That is why I am equally fond of them all and equally horrified by them. Each one has crossed a border that I myself have circumvented.

If every second of our lives recurs an infinite number of times, we are nailed to eternity as Jesus was nailed to the cross. It is a terrifying prospect.

Jealousy is like a raging toothache. One cannot do anything when one is jealous, not even sit down. Once can only come and go. Back and forth.

Jealousy has the amazing power to illuminate a single person in an intense beam of light, keeping the multitude of others in total darkness.

Back at home, after some prodding from Tereza, he admitted that he had been jealous watching her dance with a colleague of his. "You mean you were really jealous?" she asked him ten times or more, incredulously, as though someone had just informed her she had been awarded a Nobel Peace prize. Then she put her arm around his waist and began dancing across the room. The step she used was not the one she had shown off in the bar. It was more like a village polka, a wild romp that sent her legs flying in the air and her torso bounding all over the room, with Tomas in tow. Before long, unfortunately, she bagan to be jealous herself, and Tomas saw her jealously not as a Nobel Prize, but as a burden, a burden he would be saddled with until not long before his death.

Jealousy isn't a pleasant quality, but if it isn't overdone (and if it's combined with modesty), apart from its inconvenience there's even something touching about it.

During the last ten years of his life my father gradually lost the power of speech. At first he simply had trouble calling up certain words or would say similar words instead and then immediately laugh at himself. In the end he had only a handful of words left, and all his attempts at saying anything more substantial resulted in one of the last sentences he could articulate: 'That's strange.'Whenever he said 'That's strange,' his eyes would express an infinite astonishment at knowing everything and being able to say nothing. Things lost their names and merged into a single, undifferentiated reality. I was the only one who by talking to him could temporarily transform that nameless infinity into the world of clearly named entities.

Dreaming is not only an act of communication; it is also an aesthetic activity, a game of the imagination, a game that is a value in itself. Our dreams prove that to imagine - to dream about things that have not happened - is among mankind__ deepest needs. Herein lies the danger. If dreams were beautiful, they would quickly be forgotten.

an old villa surrounded by a garden looked to them like the image of a comforting home, the dream of an idyll long past.

How could she feel nostalgia when he was right in front of her? How can you suffer from the absence of a person who is present? You can suffer nostalgia in the presence of the beloved if you glimpse a future where the beloved is no more

Until then her view of time was the present moving forward and devouring the future; she either feared its swiftness (when she was awaiting something difficult) or rebelled at its slowness (when she was awaiting something fine). Now time has a very different look; it is no longer the conquering present capturing the future; it is the present conquered and captured and carried off by the past. She sees a young man disconnecting himself from her life and going away, forevermore out of her reach. Mesmerized, all she can do is watch this piece of her life move off; all she can do is watch it and suffer. She is experiencing a brand-new feeling called nostalgia.

It was the incommunicable scent of this country, its intangible essence, that she had brought along with her to France.

If I were a doctor, I would diagnose his condition thus: "The patient is suffering from nostalgic insufficiency.

Dogs are our link to Paradise. They don't know evil or jealousy or discontent. To sit with a dog on a hillside on a glorious afternoon is to be back in Eden, where doing nothing was not boring _ it was peace.

given the nature of the human couple, the love of a man and a woman is a priori inferior to that which can exist (at least in the best instances) in the love between man and dog...It is a completely selfless love.

No one can give anyone else the gift of the idyll; only an animal can do so, because only animals were not expelled from Paradise. The love between dog and man is idyllic. It knows no conflicts, no hair-raising scenes; it knows no development.