Mary Oliver

The sea can do craziness, it can do smooth, it can lie down like silk breathing or toss havoc shoreward; it can give gifts or withhold all; it can rise, ebb, froth like an incoming frenzy of fountains, or it can sweet-talk entirely. As I can too, and so, no doubt, can you, and you.

In your handsThe dog, the donkey, surely they know They are alive.Who would argue otherwise?But now, after years of consideration, I am getting beyond that.What about the sunflowers? What about The tulips, and the pines?Listen, all you have to do is start and There__l be no stopping.What about mountains? What about water Slipping over rocks?And speaking of stones, what about The little ones you can Hold in your hands, their heartbeats So secret, so hidden it may take yearsBefore, finally, you hear them?

How heron comesIt is a negligence of the mindnot to notice how at duskheron comes to the pond andstands there in his death robes, perfectservant of the system, hungry, his eyesfull of attention, his wingspure light

The poet dreams of the mountainSometimes I grow weary of the days, with all their fits and starts.I want to climb some old gray mountains, slowly, takingThe rest of my lifetime to do it, resting often, sleepingUnder the pines or, above them, on the unclothed rocks.I want to see how many stars are still in the skyThat we have smothered for years now, a century at least.I want to look back at everything, forgiving it all,And peaceful, knowing the last thing there is to know.All that urgency! Not what the earth is about!How silent the trees, their poetry being of themselves only.I want to take slow steps, and think appropriate thoughts.In ten thousand years, maybe, a piece of the mountain will fall.

Do you think the wren ever dreams of a better house?

Though I play at the edges of knowing, truly I know our part is not knowing, but looking, and touching, and loving

I went down not long agoto the Mad River, under the willowsI knelt and drank from that crumpled flow, call itwhat madness you will, there's a sicknessworse than the risk of death and that'sforgetting what we should never forget.Tecumseh lived here.The wounds of the pastare ignored, but hang onlike the litter that snags among the yellow branches,newspapers and plastic bags, after the rains.Where are the Shawnee now?Do you know? Or would you have to write to Washington, and even then,whatever they said,would you believe it? SometimesI would like to paint my body red and go intothe glittering snowto die.His name meant Shooting Star.From Mad River country north to the borderhe gathered the tribesand armed them one more time. He vowedto keep Ohio and it took himover twenty years to fail.After the bloody and final fighting, at Thames,it was over, excepthis body could not be found,and you can do whatever you want with that, sayhis people came in the black leaves of the nightand hauled him to a secret grave, or thathe turned into a little boy again, and leapedinto a birch canoe and wentrowing home down the rivers. Anywaythis much I'm sure of: if we meet him, we'll know it,he will still beso angry.

DogfishI wantedThe past to go away, I wantedTo leave it, like another country; I wantedMy life to close, and openLike a hinge, like a wing, like the part of the song Where it fallsDown over the rocks: an explosion, a discovery; I wanted To hurry into the work of my life; I wanted to know,Whoever I was, I wasAliveFor a little while._mostly, I want to be kind.And nobody, of course, is kind,Or mean,For a simple reason.And nobody gets out of it, having to Swim through the fires to stay inThis world.

When When it__ over, it__ over, and we don__ know any of us, what happens then.So I try not to miss anything.I think, in my whole life, I have never missed The full moonor the slipper of its coming back.Or, a kiss.Well, yes, especially a kiss.

And then I feel the sun itselfas it blazes over the hills,like a million flowers on fire --clearly I'm not needed,yet I feel myself turninginto something of inexplicable value.-from The Buddha's Last Instruction

Let me keep my distance, always, from those who think they have the answers.Let me keep company always with those who say "Look!" and laugh in astonishment, and bow their heads.

Poem (the spirit likes to dress up) The spirit likes to dress up like this: ten fingers, ten toes,shoulders, and all the rest at night in the black branches, in the morningin the blue branches of the world. It could float, of course, but would ratherplumb rough matter. Airy and shapeless thing, it needs the metaphor of the body,lime and appetite, the oceanic fluids; it needs the body__ world, instinctand imagination and the dark hug of time, sweetness and tangibility,to be understood, to be more than pure light that burns where no one is __o it enters us _ in the morning shines from brute comfort like a stitch of lightning;and at night lights up the deep and wondrous drownings of the body like a star.

Still, what I want in my lifeis to be willingto be dazzled__o cast aside the weight of factsand maybe evento float a littleabove this difficult world.I want to believe I am lookinginto the white fire of a great mystery.I want to believe that the imperfections are nothing__hat the light is everything__hat it is more than the sumof each flawed blossom rising and falling. And I do.

Poetry is a life-cherishing force.

I wanted the past to go away, I wantedto leave it, like another country; I wantedmy life to close, and openlike a hinge, like a wing, like the part of the songwhere it fallsdown over the rocks: an explosion, a discovery;I wantedto hurry into the work of my life; I wanted to know,whoever I was, I wasalivefor a little while.

Come with me into the woods where spring isadvancing, as it does, no matter what,not being singular or particular, but oneof the forever gifts, and certainly visible.

So come to the pond, or the river of your imagination, or the harbor of your longing,and put your lips to the world.And live your life.

Look, the treesare turningtheir own bodiesinto pillarsof light,are giving off the richfragrance of cinnamonand fulfillment,the long tapersof cattailsare bursting and floating away overthe blue shouldersof the ponds,and every pond,no matter what itsname is, isnameless now.Every yeareverythingI have ever learnedin my lifetimeleads back to this: the firesand the black river of losswhose other sideis salvation,whose meaningnone of us will ever know.To live in this worldyou must be ableto do three things:to love what is mortal;to hold itagainst your bones knowingyour own life depends on it;and, when the time comes to let it go,to let it go.