There is one thing I can say for certain: the older a person gets, the lonelier he becomes. It's true for everyone. But maybe that isn't wrong. What I mean is, in a sense our lives are nothing more than a series of stages to help us get used to loneliness. That being the case, there's no reason to complain. And besides who would be complaint to anyway? (A Walk To Kobe, Granta 124: Travel)
Author
Haruki Murakami
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Haruki Murakami currently has 793 indexed quotes and 35 linked works on QuoteMust. This page is the canonical destination for that author archive.
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all I wanted was to go off to some other world, a place beyond anybody's reach. A place beyond the flow of time.
But still," Ayumi said, "it seems to me that this world has a serious shortage of both logic and kindness.""You may be right," Aomame said, "But it's too late to trade it in for another one.
The role of a story was, in the broadest terms, to transpose a single problem into another form. ... It was like a piece of paper bearing the indecipherable text of a magic spell.
Writing from memory like this, I often feel a pang of dread. What if I've forgotten the most important thing? What if somewhere inside me there is a dark limbo where all the the truly important memories are heaped and slowly turning into mud?
His mind floated in the amniotic fluid of memory, listening for echoes of the past. His father, meanwhile, had no idea that such a vivid scene was burned into Tengo's brain or that, like a cow in the meadow, Tengo was endlessly regurgitating fragments of the scene to chew on, a cud from which he obtained essential nutrients. Father and son: each was locked in a deep, dark embrace with his secrets.
The ones who did it can always rationalize their actions and even forget what they did. They can turn away from things they don't want to see. But the surviving victims can never forget. They can__ turn away. Their memories are passed on from parent to child. That__ what the world is, after all: an endless battle of contrasting memories.
Robbing people of their actual history is the same as robbing them of part of themselves. It__ a crime."Fuka-Eri thought about that for a moment.Tengo went on, __ur memory is made up of our individual memories and our collective memories. The two are intimately linked. And history is our collective memory. If our collective memory is taken from us - is rewritten - we lose the ability to sustain our true selves.
Precipitate as weather, she appeared from somewhere then evaporated, leaving only memory.
You can hide memories, but you can't erase the history that produced them.Sara looked directly into his eyesI nothing else, you need to remember that. you can't erase history, or change it. it would be like destroying yourself.
I think memory is the most important asset of human beings. It__ a kind of fuel; it burns and it warms you. My memory is like a chest: There are so many drawers in that chest, and when I want to be a fifteen-year-old boy, I open up a certain drawer and I find the scenery I saw when I was a boy in Kobe. I can smell the air, and I can touch the ground, and I can see the green of the trees. That__ why I want to write a book.
Memory works in different ways for everybody. Different capacities, different directions, too. Sometimes memory helps you think, sometimes it impedes. Doesn__ mean it__ good or bad. Probably means it__ no big deal.
Precipitate as weather, she appeared from somewhere, then evaporated, leaving only memory.
But hell, you've gotta work with what you've got.
Well, finally, once you become an orphan, you're an orphan till the day you die. I keep having the same dream. I'm seven years old and an orphan again. All alone, with no adults around to take care of me. It's evening, and the light is fading, and night is pressing in. It's always the same. In the dream I always go back to being seven years old. Software like that you can't exchange once it's contaminated.
The third dream was hard to put into words. It was a rambling, incoherent dream without any setting. All that was there was a feeling of being in motion. Aomame was ceaselessly moving through time and space It didn't matter when or where this was All that mattered was this movement. Everything was fluid, and a specific meaning was born of that fluidity. But as she gave herself up to it, she found her body growing transparent. She could see through her hands to the other side. Her bones, organs, and womb became visible. At this rate she might very well no longer exist. After she could no longer see herself, Aomame wondered what could possibly come then. She had no answer.
I don't dream. Come to think of it, i haven't had any dreams in a long time.
Writing a novel is like having a dream.