I need to tell you a story, a tale of fate and emergence.
The opportunity to tell our story unhindered, uninterrupted is rare. Most of the time people are so involved in their own concerns they do not listen with complete attention. It can be quite startling, therefore, to feel another person fully attending to you, present with you and for you, setting their own struggles aside in order to be available to God an dyou. Sometimes this is wonderfully freeing and at other times it is paralyzing. We find ourselves listening to ourselves, weighing our words, and considering if we speak authentically or frivolously. ... But telling our spiritual director is often a pure gift. As we spekk we begin to see connections that were hidden. Insights arise or our perspective about circumstances or ourselves may shift. There are Divine and human affirmations and confirmations. Sometimes the words we needed to hear come from our own lips. ...Interior developments arise out of silence that are beyond our clear view. We just know that something has moved or changed and that God is active...The opportunity to tell our story opens us to hear God's story more deeply - God's presence and participation in our lives and in the life of the world. In God all human stories connect and when we participate in spiritual direction, we seem to notice more of the connections.
Holy Invitations: Exploring Spiritual Direction
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The opportunity to tell our story unhindered, uninterrupted is rare. Most of the time people are so involved in their own concerns they do not listen with complete attention. It can be quite startling, therefore, to feel another person fully attending to you, present with you and for you, setting their own struggles aside in order to be available to God an dyou. Sometimes this is wonderfully freeing and at other times it is paralyzing. We find ourselves listening to ourselves, weighing our words, and considering if we speak authentically or frivolously. ... But telling our spiritual director is often a pure gift. As we spekk we begin to see connections that were hidden. Insights arise or our perspective about circumstances or ourselves may shift. There are Divine and human affirmations and confirmations. Sometimes the words we needed to hear come from our own lips. ...Interior developments arise out of silence that are beyond our clear view. We just know that something has moved or changed and that God is active...The opportunity to tell our story opens us to hear God's story more deeply - God's presence and participation in our lives and in the life of the world. In God all human stories connect and when we participate in spiritual direction, we seem to notice more of the connections.
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He prefers his adventures second hand.
It's in The Lord of the Rings, I think, where one of the characters says that "way leads on to way"; that you could start at a path leading nowhere more fantastic than from your own front steps to the sidewalk, and from there you could go . . . well, anywhere at all. It's the same way with stories. One leads to the next, to the next, and to the next; maybe they go in the direction you wanted to go, but maybe they don't. Maybe in the end it's the voice that tells the stories more than the stories themselves that matters.
No, no! The adventures first, explanations take such a dreadful time.
Sophisticated readers understand that writers work out their anger, their conflicts, their endless grief and rolling list of loss, through their stories. That however mean-spirited or diabolical, it's only a story. That the darkness in the soul is shaped into type and lies there, brooding and inert, black on the page, and active, dangerous, only in the reader's mind. Actually, harmless. I am not harmless.
Woolrich had a genius for creating types of story perfectly consonant with his world: the noir cop story, the clock race story, the waking nightmare, the oscillation thriller, the headlong through the night story, the annihilation story, the last hours story. These situations, and variations on them, and others like them, are paradigms of our position in the world as Woolrich sees it. His mastery of suspense, his genius (like that of his spiritual brother Alfred Hitchcock) for keeping us on the edge of our seats and gasping with fright, stems not only from the nightmarish situations he conjured up but from his prose, which is compulsively readable, cinematically vivid, high-strung almost to the point of hysteria, forcing us into the skins of the hunted and doomed where we live their agonies and die with them a thousand small deaths.