Their laughter was like the stridulation of the ghosts of grasshoppers.
When I watch a movie or read a book, be it a melodrama or horror, I always hate the female character... Well, most of the time I do.Why? Because she is always dumb.I shit you not.For example in this one chick-flick movie, "Serendipity", Sara tells that Jonathan guy that she won't give him her number because if they are meant to meet again, they will. Seriously? Romantic movie my ass, there's not anything romantic in letting go of someone when you can grab them with both of your hands. That is not romantic, THAT is stupid.In another movie the girl storms out, never hearing the guy out, just like in that one book I've been reading recently, "Tangled". Now this is an issue with most of the books and chick-flicks. Like why? Why won't you stop a minute, take a deep breath, count to ten and listen to the guy. Only after that, for God's sake, say __uck you_ then __amaste_ and then walk away while swaying your hips like there is no tomorrow? Let them know what they will be missing for the rest of their lives.In some other movies I hate the main female character because of the scriptwriters. The girl somehow always appears in front of the guy out of nowhere. Like he can be walking down the street and then boom! ABRACADABRA! The main girl bumps into him in NYC out of all places. They make it seem like whatever they do their steps always bring them back to each other. Dumb, I know.
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When I watch a movie or read a book, be it a melodrama or horror, I always hate the female character... Well, most of the time I do.Why? Because she is always dumb.I shit you not.For example in this one chick-flick movie, "Serendipity", Sara tells that Jonathan guy that she won't give him her number because if they are meant to meet again, they will. Seriously? Romantic movie my ass, there's not anything romantic in letting go of someone when you can grab them with both of your hands. That is not romantic, THAT is stupid.In another movie the girl storms out, never hearing the guy out, just like in that one book I've been reading recently, "Tangled". Now this is an issue with most of the books and chick-flicks. Like why? Why won't you stop a minute, take a deep breath, count to ten and listen to the guy. Only after that, for God's sake, say __uck you_ then __amaste_ and then walk away while swaying your hips like there is no tomorrow? Let them know what they will be missing for the rest of their lives.In some other movies I hate the main female character because of the scriptwriters. The girl somehow always appears in front of the guy out of nowhere. Like he can be walking down the street and then boom! ABRACADABRA! The main girl bumps into him in NYC out of all places. They make it seem like whatever they do their steps always bring them back to each other. Dumb, I know.
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Just behind his jaw bones a tiny movement was perceptible, like the movement of gills in a fish.
Franklin Fletcher dreamed of luxury in the form of tiger-skins and beautiful women. He was prepared, at a pinch, to forgo the tiger-skins. Unfortunately the beautiful women seemed equally rare and inaccessible. At his office and at his boarding-house the girls were mere mice, or cattish, or kittenish, or had insufficiently read the advertisements.
How happy I might be, if only she was less greedy, better tempered, not addicted to raking up old grudges, more affectionate, with slightly yellower hair, slimmer, and about twenty years younger! But what is the good of expecting such a woman to reform?
There are some young almond tress, which ordinarily look as if drawn by a childish hand. Now, as the wind sets their weak branches gibbering, they seem like shamanistic scratches on the white bone of the brittle bright night.