It__ a case of mistaken identity. It__ one big mistake. You weren__ even in the country when it happened.__aja in the short story 'Metro' by Steen Langstrup

You are divine being.

May God__ grace abound to you for every good work.

Talent without money, coach, vision and mission is a piteous adventure.

Victor spread his hands and beamed. __here__ a truckload of supplies sitting on a dock in Madera. We got food, medicine, and machines ready to roll. All we need is a pigheaded truck driver with giant cojones and no brains to ram the stuff past the blockade and save the day._ The pilot leaned back and put his hands behind his head. __aturally, I thought of Abel Yeager.

The viewpoint character in each story is usually someone trapped in a living nightmare, but this doesn't guarantee that we and the protagonist are at one. In fact Woolrich often makes us pull away from the person at the center of the storm, splitting our reaction in two, stripping his protagonist of moral authority, denying us the luxury of unequivocal identification, drawing characters so psychologically warped and sometimes so despicable that a part of us wants to see them suffer. Woolrich also denies us the luxury of total disidentification with all sorts of sociopaths, especially those who wear badges. His Noir Cop tales are crammed with acts of police sadism, casually committed or at least endorsed by the detective protagonist. These monstrosities are explicitly condemned almost never and the moral outrage we feel has no internal support in the stories except the objective horror of what is shown, so that one might almost believe that a part of Woolrich wants us to enjoy the spectacles. If so, it's yet another instance of how his most powerful novels and stories are divided against themselves so as to evoke in us a divided response that mirrors his own self-division.("Introduction")