In the unlikely story that is America, there has never been anything false about hope.
But I don__ understand. Why do you want me to think that this is great architecture? He pointed to the picture of the Parthenon.That, said the Dean, is the Parthenon.- So it is.- I haven__ the time to waste on silly questions.- All right, then. - Roark got up, he took a long ruler from the desk, he walked to the picture. - Shall I tell you what__ rotten about it?- It__ the Parthenon! - said the Dean.- Yes, God damn it, the Parthenon!The ruler struck the glass over the picture.- Look,- said Roark. - The famous flutings on the famous columns _ what are they there for? To hide the joints in wood _ when columns were made of wood, only these aren__, they__e marble. The triglyphs, what are they? Wood. Wooden beams, the way they had to be laid when people began to build wooden shacks. Your Greeks took marble and they made copies of their wooden structures out of it, because others had done it that way. Then your masters of the Renaissance came along and made copies in plaster of copies in marble of copies in wood. Now here we are, making copies in steel and concrete of copies in plaster of copies in marble of copies in wood. Why?
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But I don__ understand. Why do you want me to think that this is great architecture? He pointed to the picture of the Parthenon.That, said the Dean, is the Parthenon.- So it is.- I haven__ the time to waste on silly questions.- All right, then. - Roark got up, he took a long ruler from the desk, he walked to the picture. - Shall I tell you what__ rotten about it?- It__ the Parthenon! - said the Dean.- Yes, God damn it, the Parthenon!The ruler struck the glass over the picture.- Look,- said Roark. - The famous flutings on the famous columns _ what are they there for? To hide the joints in wood _ when columns were made of wood, only these aren__, they__e marble. The triglyphs, what are they? Wood. Wooden beams, the way they had to be laid when people began to build wooden shacks. Your Greeks took marble and they made copies of their wooden structures out of it, because others had done it that way. Then your masters of the Renaissance came along and made copies in plaster of copies in marble of copies in wood. Now here we are, making copies in steel and concrete of copies in plaster of copies in marble of copies in wood. Why?
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Integrity is the recognition of the fact that you cannot fake your consciousness, just as honesty is the recognition of the fact that you cannot fake existence.
Art is inextricably tied to man's survival - not to his physical survival, but to that on which his physical survival depends: to the preservation and survival of his consciousness.
There are no self-proclaimed villains, only regiments of self-proclaimed saints. Victorious historians rule where good or evil lies. We abjure labels. We fight for money and an indefinable pride. The politics, the ethics, the moralities, are irrelevant.
But other hordes would come, and other false prophets. Our feeble efforts to ameliorate man__ lot would be but vaguely continued by our successors; the seeds of error and of ruin contained even in what is good would, on the contrary, increase to monstrous proportions in the course of centuries. A world wearied of us would seek other masters; what had seemed to us wise would be pointless for them, what we had found beautiful they would abominate. Like the initiate to Mithraism the human race has need, perhaps, of a periodical bloodbath and descent into the grave. I could see the return of barbaric codes, of implacable gods, of unquestioned despotism of savage chieftains, a world broken up into enemy states and eternally prey to insecurity. Other sentinels menaced by arrows would patrol the walls of future cities; the stupid, cruel, and obscene game would go on, and the human species in growing older would doubtless add new refinements of horror. Our epoch, the faults and limitations of which I knew better than anyone else would perhaps be considered one day, by contrast, as one of the golden ages of man.
To paraphrase Hannah Arendt__s portrayed in the recently released movie of the same name__he Nazi war criminal__ actions stemmed from her well-known phrase __anality of evil,_ not as a result of mental illness but as a result of a lack of thinking. Their greatest error was delegating the process of thinking and decision-making to their higher ups. In Rudolf Höss__ case, this would have been his superiors, particularly Heinrich Himmler. To many this conclusion is troubling, for it suggests that if everyday, __ormal,_ sane men and women are capable of evil, then the atrocities perpetrated during the Holocaust and other genocides could be repeated today and into the future.Yet, this is exactly the lesson we must learn from the war criminals at Nuremberg. We must be ever wary of those who do not take responsibility for their actions. And we ourselves must be extra vigilant, particularly in this day of accelerated technological power, heightened state surveillance, and global corporate reach, that we do not delegate our thinking to others.