Once upon a time there was a king, and the king commissioned his favorite wizard to create a magic mirror. This mirror didn__ show you your reflection. It showed you your soul__t showed you who you really were.The wizard couldn__ look at it without turning away. The king couldn__ look at it. The courtiers couldn__ look at it. A chestful of treasure was offered to anyone who could look at it for sixty seconds without turning away. And no one could.

In the unlikely story that is America, there has never been anything false about hope.

In March of 1915, all three of Lord and Lady Chetwynd-Pitt's sons'd been gassed, blown up or machine-gunned in the very same week at the battle of Neuve-Chapelle. All three. Imagine that: On Monday, you've got three sons, by Friday you've got none. Lady Albertina had just, y'know, caved in. Physically, mentally, spiritually, brutally.

I put it to the great man [Hitchcock], the key to fictitious terror is partition or containment: so long as the Bates Motel is sealed off from our world, we want to peer in, like at a scorpion enclosure. But a film that shows the world is a Bates Motel, well, that's... the stuff of Buchloe, dystopia, depression. We'll dip our toes in a predatory, amoral, godless unive3rse, but only our toes.

Blame is the creed of the disempowered.

There is nothing like fear to complicate one's consciousness, inducing previously unknown levels of reflection