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As with outlaw figures, in diverse musical and oral cultures throughout the world- Mexican corridos and Egyptian shaabi music, for example- Hip Hop's irreverence toward dominant values and noncompliance with the status quo creates alternative, counterhegemonic spaces.
H. Samy Alim
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As with outlaw figures, in diverse musical and oral cultures throughout the world- Mexican corridos and Egyptian shaabi music, for example- Hip Hop's irreverence toward dominant values and noncompliance with the status quo creates alternative, counterhegemonic spaces.

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In this view, man is an energy-convertingorganism who must exert his manipulative powers, who must damage his world in some ways, who must make it uncomfortable for others, etc., by his own nature as an active being. He seeks self-expansionfrom a very uncertain power base. Even if man hurtsothers, it is because he is weak and afraid, not because he is confident and cruel. Rousseau summed up this point of view with the idea that only the strong person can be ethical, not the weak one.