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His older self had taught his younger self a language which the older self knew because the younger self, after being taught, grew up to be the older self and was, therefore, capable of teaching.
Robert A. Heinlein
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His older self had taught his younger self a language which the older self knew because the younger self, after being taught, grew up to be the older self and was, therefore, capable of teaching.

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Was it possible to feel nostalgic about something that had never happened to him, possible for nostalgia to be taken in by the body as a free pathogen to infect the consciousness with stray sentiments? Perhaps, in his dreams, he had traveled back in time, or even drifted into another dimension of space-time and inhabited the body, experiences, and nostalgia of another. To even envisage so allowed the trauma of those lost moments, though not his own, to draw from him a certain envy for the entity in whose memories he had basked vicariously. . .Perhaps, nostalgia was a microorganism. . .the bacterium that infected. . . Yes. . .maybe he was sick.

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Man is the bridge of good as much as evil. He hurts and he loves. He divides and he unites. He destroys and he rebuilds. He kills and he saves lives. Yet, he denies or pretends that he does not know the other side of him. He only knows of himself as the protagonist, the righteous, and the honorable one. Others, who do not belong to his fold, are the villains, the devils, and the low-life beings. Ironically, the less he knows of his other self the more he becomes what he derides and denigrates. He is the tragic paradox of what he claims to be despite the evidence of his action that proves otherwise. (Danny Castillones Sillada, Man: The Paragon of All Paradoxes)