Art is inextricably tied to man's survival - not to his physical survival, but to that on which his physical survival depends: to the preservation and survival of his consciousness.
. . . there were masses of pictures she had not seen; however, Lily Briscoe reflected, perhaps it was better not to see pictures: they only made one hopelessly discontented with one__ own work.
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. . . there were masses of pictures she had not seen; however, Lily Briscoe reflected, perhaps it was better not to see pictures: they only made one hopelessly discontented with one__ own work.
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Art, even the art of fullest scope and widest vision, can never really show us the external world. All that it shows us is our own soul, the one world of which we have any real cognisance. And the soul itself, the soul of each one of us, is to each one of us a mystery. It hides in the dark and broods, and consciousness cannot tell us of its workings. Consciousness, indeed, is quite inadequate to explain the contents of personality. It is Art, and Art only, that reveals us to ourselves.
I like "Julie Gold's song "From a Distance". Her song reminds me of the world as seen through an observer's eye. Seen from a distance, we are people in the same band playing music for everyone. We are artists who play the most beautiful instruments in the world - life.
The mind of man, moreover, works with equal strangeness upon the body of time. An hour, once it lodges in the queer element of the human spirit, may be stretched to fifty or a hundred times its clock length; on the other hand, an hour may be accurately represented on the timepiece of the mind by one second.
Outside, the sunlight had turned pale lemon, but the studio remained cool. The white walls and white-tiled splashback behind the sink were made more clinical by the metal tables which looked as if they__ originally been intended for use in an operating theatre. Even though they were laid out with brushes and paints rather than forceps and retractors, the effect was equally daunting; both sets of tools could open you up in strange and unexpected ways.
I sat back and looked at it. It was ugly, dark, uncontrolled. Like a monster's face. Or maybe what I saw there was my own face. I couldn't quite tell. Was the face the image of something evil or the image of myself?"Both," Bea muttered, as if I'd spoken my question out loud. "Of course, it's both. But it shouldn't be. Goodness, no.