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After the war of course it will be like the start of spring, which is always so brilliantly sudden. The leaves will burst back onto the trees and close the gaps between the branches and we shall be startled - shan't we? - s we are startled at the end of every winter. We shall think: oh, I had quite forgotten there were three livable seasons.
Chris Cleave Everyone Brave is Forgiven
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After the war of course it will be like the start of spring, which is always so brilliantly sudden. The leaves will burst back onto the trees and close the gaps between the branches and we shall be startled - shan't we? - s we are startled at the end of every winter. We shall think: oh, I had quite forgotten there were three livable seasons.
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Chris Cleave

Everyone Brave is Forgiven

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The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.

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